Listen, I know we could talk about Oscar snubs all day and it wouldn’t make any difference. To an extent, expressing any amount of emotion for the Academy and their decisions is a waste of energy. It is all futile and arbitrary, and it’s better not to get caught up in it.
But, I mean, there’s no love for “Glasgow” in the Best Original Song category? It is a great song inside a lovely little film called Wild Rose. It deserved some recognition here. Seriously, what the f–
Continue reading 2020 Oscar Predictions — Best Original Song
Dexter Fletcher’s Rocketman flies in the face of other musical biopics. Not because it presents an entirely novel version of such a story, but because it presents the same-old cliched version and makes it a fantasy.
We hear the musician’s story straight from the horse’s mouth, as Elton Hercules John (Taron Egerton) struts into a group therapy session donning an ornate devil costume and heart-shaped glasses. He proceeds to tell his life story to the group. Through this framing, Rocketman sheds any preconceived notions that biopics have anything objective to say about their subjects. In the present, Elton can be an unreliable narrator. In the past, scenes from his life are laced with dreamy, musical bravado.
Fletcher makes clear that Rocketman is a show, not a retelling. In doing so, he Continue reading Rocketman (2019) Movie Review
Kingsman: The Golden Circle is, like its predecessor Kingsman: The Secret Service, a violence-obsessed take on the James Bond formula. In the same Bond vein, the plot revolves around a megalomaniac’s scheme to decimate the world population and the spies who follow the convoluted path to stop the evil plan in time.
The evil plan involves the chipper and sociopathic leader of a drug cartel (Julianne Moore) whose latest batch of drugs infects its users with Continue reading Kingsman: The Golden Circle (2017) Movie Review
One man. Thousands of movies.