Get Out (2017) Movie Review

The opening to Get Out, the new thriller from Key & Peele‘s Jordan Peele, plays out in a single, meandering take that is gorgeously composed. The single shot depicts a man (Lakeith Stanfield) being plucked off of a suburban street in the middle of the night.

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This cold open pivots to an idyllic, happy young couple, Chris and Rose (Daniel Kaluuya and Allison Williams), packing for a weekend at Rose’s parents’ house. This retreat to the woods, however, promises to be far more Continue reading Get Out (2017) Movie Review

Can Lion Win the Oscar for Best Cinematography?

The American Society of Cinematographers (ASC) had their annual awards ceremony was held this past Sunday, and Garth Davis’ Lion surprised by winning the feature film award. The film beat out awards season heavy-hitter La La Land, as well as the other fantastically shot films Arrival, Silence, and Moonlight.

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In an awards season made boring by La La Land sweeping up wins wherever and whenever possible, this might be the first Continue reading Can Lion Win the Oscar for Best Cinematography?

Dark Night (2017) Movie Review

The opening shot of Tim Sutton’s Dark Night, coming after almost a minute of music playing over a black screen, is a beautiful yet unceremoniously conventional shot. It is the reflexive kino eye shot, showing the awareness of artifice and mediation within a filmic representation.

Gorgeous red and blue neon washes over the eye of an onlooker. We can see the approaching police car in her pupil. It is tragedy in a snapshot; fundamentally artistic even if the eyeball shot has appeared everywhere from Un Chien Andalou to LOST.

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Dark Night chronicles the lives of those affected by the 2012 Aurora shooting that took place in a Colorado screening of the film The Dark Knight Rises. The film is proposed as a Continue reading Dark Night (2017) Movie Review

Rings (2017) Movie Review

The premise of The Ring has always seemed silly. “You ever hear about the videotape that kills people in seven days?” This is one of the first lines of Rings, this third English-language installment of the franchise, itself a remake of the J-Horror sensation Ringu.

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On a plane, two people who watched the tape are killed by Samara, the pallid, greasy black-haired monster of the film, as she climbs out of a monitor in the cockpit. This essentially unrelated cold open is the shoddiest scene in the entire film; a strange way to Continue reading Rings (2017) Movie Review

What to Expect From the Directors Guild Awards 2017

The Directors Guild Awards (DGAs) are this Saturday, February 4. Ignoring television, as I do not watch it, there are three film categories that could act as precursors to the Academy Awards.

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Surprisingly, Ava DuVernay did not receive a nomination in the documentary category for 13th. Without this competition, there is no feasible scenario where Continue reading What to Expect From the Directors Guild Awards 2017

Academy Awards Predictions 2017 – Best Live Action Short Film

Alas, the Academy-nominated short films have not made their way to screens in my area yet. I have had the privilege of seeing and reviewing two of these Oscar short films, but of course this is not enough to give a full-fledged summary of the field as a whole.

Keep this in my mind as I do my best to traverse this category half-blind.

Update: I saw them…let’s do this.

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Best Live Action Short Film:

Continue reading Academy Awards Predictions 2017 – Best Live Action Short Film