Tim Burton’s live action Dumbo film begins by tracing, whimsically, the path of traveling Medici Bros. Circus. Burton flourishes this ride, particularly as the train passes through a tunnel that morphs into the twirling red and white of a circus tent.
As energetic as this opening trek is, the Medici Bros. (“Bros.,” it bears noting, is a misnomer. A single Medici (Danny Devito) serves both roles), the circus has Continue reading Dumbo (2019) Movie Review→
In The Beach Bum, Matthew McConaughey is the most Matthew McConaughey that McConaughey has ever McConaugheyed.
Armed with scraggled, hay-colored hair; flip-up shades; psychedelic Hawaiian print shirts; and constant PBR tallboys, Moondog (McConaughey) has the outer appearance of a grizzled, careless sea dog. But in reality, Moondog is “the most prolific poet in all of Key West, Florida.” This according to a dive bar musician, who allows Moondog on stage to sing along and then riff an unformed piece of poetry.
Rupert Wyatt’s Captive State begins with the trope of the ominous, overlapping news audio playing over black screens and production logos. The newscasters speak of an “apocalyptic” state. Then, we see a city of Chicago in chaos. From the vantage of noxious, tight handheld closeups inside of a car, we witness civilians trying to evacuate and being contained by the military. The car we occupy gets through the blockade, just barely, but is stopped by an elusive, pitch-colored, form-shifting alien.
Michael (Mark Duplass) sits in a doctor’s office listening to his diagnosis. Andy (Ray Romano) stands at his side. They’re friends, of a sort, though their go-to descriptor for the relationship is “neighbor.” As Andy tries to wrap his head around Michael’s diagnosis—cancer, most likely of the terminal variety—he stammers. Flustered, he tries to get a straight answer out of the doctor, who has nothing to offer.
Then, Michael and Andy go about their regular day. They play a racquetball variation called “Paddleton.” They watch the same kung-fu movies on VHS. They do puzzles together. They say little and share a lot.
There is something perversely compelling about Greta, the new film from Neil Jordan. At the same time, there is something far too familiar about the film, a terse obsession thriller.
Perhaps the fascination begins and ends with the inimitable Isabelle Huppert, who literally pirouettes through her pathological, homicidal character. She is Continue reading Greta (2019) Movie Review→
At an early age, Natalie (Rebel Wilson) is taught from her mom that she is not the type of woman they make romantic comedies about. Those movies don’t fit into real life; at least, they don’t fit into what her real life will be. “We’re no Julia Roberts,” Natalie’s told. If they made a movie out of her life, they would have to “sprinkle Prozac on the popcorn.”
Natalie has carried these values, perhaps subconsciously, into her adult life. She assumes she is blind to the world, and thus she allows herself to be pushed around at work. She is Continue reading Isn’t it Romantic (2019) Movie Review→
Steven Soderbergh’s last film, Unsane, was shot entirely on an iPhone. And the discomfort that came from such an isolating, wide-angle experience made sense in the setting of that film. All the same, the narrative of Unsane left something to be desired.
The LEGO Movie 2: The Second Part is just what implies; it is a second helping, a rehash of the surprise hit that tries to recapture the magic but ultimately falls short.
Joe Cornish’s follow-up to his 2011 critical darling Attack the Block is something completely different. Both Block and The Kid Who Would Be King focus on the plight of British youth, but Block is a hoodie horror deconstruction mixed with a shlock homage to B-movie creature features. The Kid Who Would Be King, on the other hand, is a family friendly action adventure in the style of Arthurian legend.
That is, rather, that Arthurian legend drops itself into the life of a modern day boy named Alex (Louis Ashbourne Serkis). After fleeing from a pair of schoolyard bullies (Tom Taylor and Rhianna Dorris), Alex finds himself Continue reading The Kid Who Would Be King (2019) Movie Review→