RBG is an exceptionally standard biographical documentary. It outlines the career and legacy of United States Supreme Court Justice Ruth Bader Ginsburg, from her early days studying law at Harvard and Columbia to her continuing efforts as a feminist symbol and legal influencer cheekily nicknamed the “Notorious RBG.”
The CNN-produced doc makes little effort to hide its partisan bias. The film opens with voiceover snippets from various right-wing news outlets that fiercely criticize Ginsburg. These clips are meant to Continue reading RBG (2018) Movie Review→
Wade Wilson, aka Deadpool, is a Canadian mercenary turned cancer victim who is presented with a cure via a branch of the Weapon X program. Turned into a mutant, Deadpool receives Wolverine’s healing factor, full-body deformity, and increasing mental instability. He often exercises psychopathic tendencies and suffers breaks from reality that manifest themselves as fourth-wall breaking banter. At his most stable, he is a member of X-Force or X-Men. At his most unhinged, he slaughters every superhero in the Marvel universe.
Dean Devlin is a producer known for work on big budget, blockbuster action movies: Independence Day, Godzilla (1998), etc. Last year, he made his big screen directorial debut with the heavily panned Geostorm, which itself was a big action film aiming to be a blockbuster.
With Bad Samaritan, Devlin returns to feature directing. Only, this time the subject matter is a lower-budget dramatic thriller. Sean Falco (Robert Sheehan) is a wannabe photographer who works a valet business with his buddy Derek (Carlito Olivero). To make ends meet, however, the two of them run scams using Continue reading Bad Samaritan (2018) Movie Review→
The creative pairing of Aaron Moorhead and Justin Benson have produced three feature films: Resolution, Spring, and now The Endless. I will admit that I have not seen their previous two films (although, they made a short for the anthological horror sequel V/H/S: Viral that I did not care for).
Without the context of their previous work, and not really knowing anything about The Endless prior to seeing it, I found the experience of the film to be Continue reading The Endless (2018) Movie Review→
Hollywood, ever since it has had the capability to make them, loves their epics. Ben-hur. Lawrence of Arabia. Spartacus. And now Avengers: Infinity War, an epic that has been running for 10 years. And that isn’t a figurative statement.
Sure, you can walk into your multiplex, purchase a ticket to Marvel’s latest having seen none of their previous films, and understand at the most basic plot level what is happening in the film. But this is really a film made for those who have committed to the franchise from the beginning. It is a culmination of 10 years, 18 films, and 38 hours of screentime.
And I’ve been using runtime as an excuse for not watching Ben-hur, Lawrence of Arabia, and Spartacus…
Lynne Ramsay’s You Were Never Really Here doesn’t concern itself with much plot. It doesn’t concern itself with much of anything in regards to narrative, as a matter of fact.
What it does concern itself with is Joe (Joaquin Phoenix), a hired hitman who is tasked with recovering the kidnapped daughter (Ekaterina Samsonov) of a New York Senator (Alex Manette). Mainly, it is concerned with Joe’s means of coping with his present job and his rocky past.
We first see Joe through a mask of plastic. The material slowly crinkles inward and then
Marlo (Charlize Theron) is about to give birth to her third child. One of her other children, Jonah (Asher Miles Fallica), acts out, causing Marlo problems at home and at Jonah’s school. He is described as “quirky,” a word that ultimately means little and does nothing to ease Marlo’s troubles.
Marlo’s husband Drew (Ron Livingston) continues working when Marlo goes on paternity leave (which she begins just three days before her due date). When he comes home, he helps the kids with their homework and then disappears behind a video game controller and headset. All the while, Marlo is Continue reading Tully (2018) Movie Review→
The rape-revenge genre is certainly not the most approachable one. It is one of the more controversial, to be certain. A squeamish one, for sure. Rarely can a film in this genre be called “fun.”
At its most primal, Coralie Fargeat’s debut feature Revenge is a bloody good time. In the tradition of its New French Extremity predecessors, the film goes full throttle into a place best described with words like Continue reading Revenge (2018) Movie Review→
Many choice words have been used in describing Wes Anderson and his body of work. One of the more apt descriptors is “meticulous.” With Isle of Dogs, the director’s second foray into the realm of stop motion animation, meticulous is perhaps an understatement.
The first sequence in A Quiet Place is one of the more immediately tense openings to a horror movie in recent memory. Without fully understanding the world, we understand almost from the first shot what sort of situation we have entered into. The film opens in an abandoned pharmacy, where a family is quietly perusing the aisles for supplies. The family speaks only in sign language, even though only the daughter (Millicent Simmonds) is deaf. It is clear that something bad comes with too much noise, so they don’t make a sound.
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