Movies I liked but likely won’t watch again. Something was off that I wish had been done differently.
An Algerian-born man (Hassam Ghancy) applies for French citizenship. At least, that’s what he thinks he’s there for. Instead, he becomes party to prejudiced politics and interrogation.
Ennemis Interieurs is a series of elongated conversation scenes between the man and the government official (Najib Oudghiri). They are scenes largely told in Continue reading Ennemis Interieurs (2016) Short Film Review
A Salvation Army volunteer (Malene Beltoft Olsen) struggling with an alcoholic mother (Vibeke Hastrup) and a homeless refugee (Prince Appiah) dealing with racism and an impoverished family in Ghana come together in Silent Nights, a short film whose title is a play on the somewhat irrelevant time of year in which the film takes place.
The film is a bitter examination of the underbelly with a sliver of a silver lining of heartfelt humanism. The doomed romance of the film is introduced as Continue reading Silent Nights (2016) Short Film Review
The first note I wrote down about A Cure for Wellness, which I wrote after the film’s opening scene, was as follows:
“Is A Cure For Wellness a masterfully shot slog?”
This notion came out of how the trailer clips and first scene of the film is shot and that I knew how long the film was going to be (this was, I should mention, my second film of the day). So my assumption going in was that this film was going to be a struggle between patience and style.
Is the film a well-shot slog? Well…yeah.
Rising white collar man (Dane DeHaan), referred to throughout the film only by his surname of Lockhart, takes hold of that next rung of the corporate ladder, and as a result is thrown into a legally questionable Continue reading A Cure for Wellness (2017) Movie Review
The story of the people on board the Deepwater Horizon during the BP oil spill are the subjects of the Peter Berg feature Deepwater Horizon. As with other Berg films, it is a cinema verite style affair, with plenty of handheld shots following right over the shoulder of our heroes. That is, when indulgent crane shots aren’t taking snapshots of the glorious landscapes.
These aforementioned heroes, namely Mike Williams (Mark Wahlberg), are quippy, fast-talking working folk who feel something is up as soon as Continue reading Deepwater Horizon (2016) Movie Review
The cold open to M. Night Shyamalan’s new venture, Split, features an intriguing mix of directorial choices. There is a Hitchcockian motivated mobile POV, one that starts as an innocent track. There are motivated pans and tilts that follow our protagonist Casey’s (Anya Taylor-Joy) increasingly cautious gazes. There is a sense of impending dread with each edit.
This opening kidnapping was shown in almost its entirety in Split‘s trailer, which presents the premise of a man with multiple personalities (James McAvoy) who steals away three teenage girls (Haley Lu Richardson, Jessica Sula, and Taylor-Joy). Ignore the ridiculous notion that Continue reading Split (2017) Movie Review
Ray Kroc (Michael Keaton) travels from food joint to food joint trying to sell a five-spindle milkshake mixer. No one bites, but as he sits defeated at these drive-in restaurants, he notices a trend. A trend of slowness, inaccuracy.
When a small, bustling outfit out of San Bernadino named McDonald’s orders an inexplicable eight mixers for one location, Kroc is Continue reading The Founder (2016) Movie Review
In New York, 1944, a wealthy socialite named Florence Foster Jenkins (Meryl Streep) takes a fancy to opera singing. With her husband’s (Hugh Grant) aid, she reunites with an old vocal coach (David Haig) and hires a young pianist (Simon Helberg). To the pianist’s dismay, his first rehearsal with Florence yields the revelation of her sheer inability to carry a tune.
This initial rehearsal scene is a Continue reading Florence Foster Jenkins (2016) Movie Review
Ove (Rolf Lassgard) is rigid, resolute, decisive, cynical, cantankerous, embittered, emboldened, unfriendly. But mostly he is a man of simple means who wants things just to his liking. He doesn’t like people driving through his neighborhood, as it is strictly forbidden. He argues over the coupon price of a bouquet of flowers that he leaves for his deceased wife. And, when he loses his job of 43 years to a pair of 20-somethings, he decides to hang himself from his living room ceiling.
Except, each time he tries, he is interrupted by his new neighbors: a family who means well in spite of pushing all of Ove’s buttons.
The narrative of an elderly man hardened over the grief for Continue reading A Man Called Ove (2016) Movie Review
In a rural forest, the snap of a rifle shot breaks the quaint silence. Two brothers (Fidel Badran and Jad Badran) stand over their unseen prey, taking a beat before they go about covering their tracks so their father does not realize what they have done with his hunting rifle.
The Rifle, The Jackal, The Wolf and The Boy is the familiar feeling of childhood guilt ratcheted up to grim stakes. The narrative itself is almost absurdly simplistic, and the film chooses to rely instead on Continue reading The Rifle, The Jackal, The Wolf and The Boy (2016) Short Film Review
Seven years after an unknown “incident,” one man (Oriol Pia) lives in a world of isolation. Graffiti is quiet in this regard. Indeed, no words are spoken. The most we get out of Pia verbally is him howling in a call-response fashion with his dog.
Graffiti has a familiar feel to other post-apocalyptic stories, most overtly Continue reading Graffiti (2016) Short Film Review
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