The Summer movie season is over. As such, the obligatory Summer wrap-up list must come out. A lot of movies graced moviegoers’ popcorn-greased faces this Summer, making it hard to whittle a list down to an even and psychologically-pleasing 10.
So, let’s start with some honorable mentions.
We Are Still Here begins atmospheric. Vacant. Long takes focus on empty sets. A homey living room. A snowy, rural yard. A stone-walled and dirt-floor basement. The house in the woods where a middle-aged married couple has just moved in following the tragic death of their son. A lonely picture of the boy rests on a table near the staircase. Some unnatural presence, or perhaps just an innocent rush of wind, knocks the picture face-down with a loud clap, and the ghost story begins.
The first thing that is noticeable in this film is its hyper-apparent score that come on strong in the early scenes. It meanders or drones, almost whirring a mechanical hiss at us. It implores us to Continue reading We Are Still Here (2015) Movie Review
Craig Daniels (Pat Healy) is a mechanic and a family man. At least, he was a mechanic. Then he got fired. On the same day that he received an eviction notice. As he scrubs his grimy hands at the end of his short last day, a closeup reveals the wedding ring on his finger. A finger that is tensely tapping against the sink with the knowledge that its owner has fallen into dire straits.
Enter Vince (Ethan Embry), the sleazy but well meaning high school friend of Craig. Vince is a debt collector. The off-the-books type of debt collector. Then enter Colin (David Koechner), a seemingly well-off stranger who just wants some drinking company on his wife Violet’s (Sara Paxton) birthday. As per the genre’s usual tropes, something seems off about Colin and Violet. Colin is uncharacteristically charismatic and friendly. Violet is uninterested in almost everything.
As the night moves on and the drinks start flowing, Colin starts engaging Craig and Vince in a series of bets. They are innocent bets, but they come with tempting Continue reading Cheap Thrills (2014) Movie Review
In The Gift, married couple Simon (Jason Bateman) and Robyn (Rebecca Hall) move back into Simon’s California hometown after the unexpected loss of their unborn child. The first snaking shots of their new house are an immediate sign of their status. Simon is successful at a well-paying job and is on the verge of a promotion. Robyn is happy doing freelance work from home. Seemingly, life in the pair’s little world is picturesque.
Then there’s Gordo (Joel Edgerton). At first, we only see him from a distance, curiously looking in on the couple as they are shopping, just behind Simon’s shoulder. Eventually he approaches Simon, saying that Continue reading The Gift (2015) Movie Review
Creep is an independent horror film starring Patrick Brice and Mark Duplass. Brice also doubles as the director and triples as co-writer with Duplass. In it, Duplass plays Josef, a man suffering from inoperable brain cancer who has hired freelance videographer Aaron (Brice) to film what could be his final days for the sake of his unborn child.
The film begins with heartfelt scenes of Josef optimistically narrating fun activities that he would like his son to experience once he is gone. These scenes are also accompanied by innocent jump scares. In one, Continue reading Creep (2015) Movie Review
We’re about half-way through 2015 and, as such, have been presented with plenty of films. Early-year diamonds in the rough and breakout summer blockbusters have surfaced. Here are my favorite movies of 2015 as of June 21 (in order of their respective release dates).
And now, a dramatic interpretation of a how a hypothetical pitch meeting for the As Above, So Below script might have started:
“It’s The Descent meets [REC] meets Grave Encounters meets Buried meets National Treasure.”
“Love it. I bet we can get that guy from Cloverfield for the male lead.”
“But we can still terrorize the sole black character by putting him in the most danger early on, right?”
“Of course! What else are horror movies for!?”
“Huzzah! Let’s make movies!”
All right, so I have no idea how pitch meetings actually work. Nonetheless, that’s a fairly accurate description of As Above, So Below. The movie wraps a plot largely reminiscent of Continue reading As Above, So Below (2014) Movie Review
Caution: Minor Plot Spoilers Ahead.
Gaspar Noe’s Irreversible is not easy to watch. Midway through the film, the camera remains a static, unflinching observer to Monica Bellucci’s Alex as she is violently raped in a stark blood-red tunnel by a stranger (Jo Prestia). The camera, and thus the viewer by proxy, is a voyeur, a peeping tom viewing the proceedings of the night with cold nihilism.
Viewing the film in this way, it is understandable why someone could Continue reading Irreversible (2002) Movie Review
Felt is an independent romance-horror-drama from filmmaker Jason Banker. In it, Amy (Amy Everson), an artist who has experienced an unknown sexual assault trauma, hides her identity in her artistic creations. She is distant and reluctant to connect with people.
I will be brief with this review only because I have not let it sink in to the point where I can elaborate on many of my reactions with adequate conviction. What I can say is that Continue reading [Quickie]: Felt (2015) Movie Review
In the horror sequel The Purge: Anarchy, a group of innocent people get caught outside during “The Purge:” a period of 24 hours where all crime in the United States is legal. A mother and daughter, a couple in a tumultuous relationship, and a rogue man with some unclear mission find themselves banding together, running from an army of armored men in trucks and a gang of masked outlaws (and later a third group of murderers).
From premise alone, this film is superior to its predecessor. Where the first Purge film took place largely inside one home, Anarchy Continue reading The Purge: Anarchy (2014) Movie Review
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