Tag Archives: 2023

Action/Thriller, All Movie Reviews, Drama, Like It, Long Reviews (>400 Words)

Knock at the Cabin (2023) Movie Review

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I have never known what to do with M. Night Shyamalan’s career. You can’t fault the guy for trying to do unique things with the thriller genre. But there are recurring aspects of his filmmaking which have bothered me, and these problems came to a head with the one-two punch of Glass and Old. The writing, acting, and tone in those movies irk me.

On the other hand, Shyamalan has surprised me pleasantly on multiple occasions. Split is really well-shot and holds the tension. The Visit has a few memorable moments. Going back to the first act of his career, The Sixth Sense and Unbreakable both hold up well, I think. And Praying with Anger is Continue reading Knock at the Cabin (2023) Movie Review →

All Movie Reviews, Horror, Like It, Long Reviews (>400 Words), Sci-Fi/Fantasy

Infinity Pool (2023) Movie Review

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While I do find myself saying it quite often, I think “third act problems” is a strange statement. In most cases, a third act problem probably originates as a first or second act problem, as in, something needs to be resolved in the third act for the film to work and that does not happen. The third act reveals the problem, but it was an underlying structural problem that carries over across acts.

I make this distinction to say that Brandon Cronenberg’s Infinity Pool has major third act problems, but that these problems pertain to the film’s overall structure.

Cronenberg’s Possessor was my favorite horror movie of 2020. It is the type of film that does not give clarity to every angle of its story, but the overall Continue reading Infinity Pool (2023) Movie Review →

2023 Academy Awards, All Movie Reviews, Like It, Long Reviews (>400 Words), Short Films

2023 Oscars Best Live Action Short Film Reviews: The Red Suitcase, An Irish Goodbye

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After taking a break from covering the Academy Award nominees for Best Live Action Short Film, I am returning to the fold to shed some light on these under-seen gems (they are gems more often than not, at least). The nominees this year cover a broad geographical range, with films from Ireland, Iran by way of Luxemborg, Norway, Italy, and Denmark. For now, let’s focus on the first two and take a look at An Irish Goodbye and The Red Suitcase.

An Irish Goodbye

Lorcan (James Martin) and Turlough (Seamus O’Hara), two brothers who don’t get along, reunite following the death of Continue reading 2023 Oscars Best Live Action Short Film Reviews: The Red Suitcase, An Irish Goodbye →

2023 Academy Awards, All Movie Reviews, Like It, Long Reviews (>400 Words), Short Films

2023 Oscars Best Animated Short Film Reviews: My Year of Dicks, Ice Merchants, The Flying Sailor

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With the Academy Award nominations releasing earlier today, it is ample time for me to play some catch-up. As always, there are 15 short films nominated across three categories, and it is inevitable that people will look at these titles and squint a little. These films hardly receive any buzz, particularly compared to the heavy hitter feature contenders, and they usually end up getting short shrift as a result.

Often enough, though, there are more than a few short films that make the grade and which are Continue reading 2023 Oscars Best Animated Short Film Reviews: My Year of Dicks, Ice Merchants, The Flying Sailor →

All Movie Reviews, Horror, Leave it, Long Reviews (>400 Words)

Sick (2023) Movie Review

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John Hyam’s Sick does one thing; thankfully, it does that thing pretty well.

Hyam’s previous film, Alone, was a similarly straightforward piece of genre formalism. Both films share the same singular goal: shoot people in peril. Unlike Alone, Sick comes with horror genre royalty in its byline. Kevin Williamson’s first feature screenplay since Scream 4, Sick is a cabin in the woods style slasher in the time of Covid. It is April 2020, and two college students (Gideon Adlon and Bethlehem Million) decide to quarantine together at a fancy, isolated cabin. And, as anyone who’s seen a horror film will already be well aware, no one is truly alone in an isolated cabin at night.

The first hour of this 84-minute film consists almost entirely of young people being stalked violently by an anonymous, knife-wielding killer. Unlike the other Williamson property this brings to mind, though, Sick is Continue reading Sick (2023) Movie Review →

All Movie Reviews, Comedy, Horror, Like It, Long Reviews (>400 Words)

M3GAN (2023) Movie Review

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Nothing says kicking off a new year at the movies quite like an AI-driven robot toy singing a haunting lullaby rendition of a Sia song a few hours after said robot violently attacks a mopey child bully.

Before the pandemic caused the movie industry to throw out the playbook on theatrical releases, January was a month notorious for its low-quality new releases. Traditionally, January fare includes Continue reading M3GAN (2023) Movie Review →

All Movie Reviews, Drama, Leave it, Long Reviews (>400 Words)

The Whale (2022) Movie Review

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Darren Aronofsky is no stranger to provocative and difficult cinema. He has made a career of it. From the bleak downward spirals in Requiem for a Dram to the chaos of the frustratingly opaque mother!, the filmmaker likes to experiment with morbid, carnivalesque subject matter. Often, this experimentation involves the torment of the film’s characters.

With The Whale, it should be said, Aronofsky and writer Samuel D. Hunter aim to inflect Charlie’s (Brendan Fraser) torment with a profound empathy. But this is also where Continue reading The Whale (2022) Movie Review →