Category Archives: Like It

Movies I liked but likely won’t watch again. Something was off that I wish had been done differently.

Kingsman: The Golden Circle (2017) Movie Review

Kingsman: The Golden Circle is, like its predecessor Kingsman: The Secret Service, a violence-obsessed take on the James Bond formula. In the same Bond vein, the plot revolves around a megalomaniac’s scheme to decimate the world population and the spies who follow the convoluted path to stop the evil plan in time.

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The evil plan involves the chipper and sociopathic leader of a drug cartel (Julianne Moore) whose latest batch of drugs infects its users with Continue reading Kingsman: The Golden Circle (2017) Movie Review

Frontier(s) (2008) Movie Review

This review of Xavier Gens’ Frontier(s) is part of the New French Extremity Retrospective series.

Xavier Gens’ Frontier(s) begins similarly to Mathieu Kassovitz’ 1995 drama La Haine. Both begin by mixing real and documentary footage of riots in the streets of France. In both cases they are riots over an intense distrust of the government. For Frontier(s) it is a distrust over a newly elected right-wing government.

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In a way, it feels like Gens is trying to pick up where Kassovitz left off, beginning with an Continue reading Frontier(s) (2008) Movie Review

It (2017) Movie Review

The term beloved may be an understatement when it comes to Stephen King’s It. The iconic image of Pennywise is a staple of the horror genre, mostly due to Tim Curry’s performance of the character in the 1990 TV movie version of King’s tome of a novel.

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Andy Muschietti, director of the tepid Mama, returns to the horror genre with the 2017 adaptation of It. The film replaces Curry with Swedish actor Bill Skarsgard, whose delightful campy performance rivals Curry’s adequately.

Without needless comparison—such a rabbit hole would siphon any light out of a critical interpretation—Muschietti’s It is a genre film that largely works through convention while trying to Continue reading It (2017) Movie Review

Valley of Shadows (2017) Movie Review (TIFF 2017)

Like Andrey Zvyaginstev’s Loveless, which also had a screening at the Toronto International Film Festival, Jonas Matzow Gulbrandsen’s Valley of Shadows is a bleak-looking and picturesque look at a small boy lost in the woods. Both use imagery of isolated forests to setup its ominous, gloomy case. With Loveless, it is barren trees hanging dead over a creek.

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In the case of Valley of Shadows, it is a massive green forest flowing against the wind like waves waiting to crash down on the two kids who look on in curiosity over the Continue reading Valley of Shadows (2017) Movie Review (TIFF 2017)

Stronger (2017) Movie Review (TIFF 2017)

The Boston Marathon bombing occurred a mere four years ago, and we already have two major feature films that depict the attack. This makes sense, as the story has an inherent emotional core to it, a strength and determination of a city that is inspiring. But where Peter Berg’s Patriots Day takes this emotional core and uses it to an end that is more akin to a thriller than a historical drama, Stronger takes a more sensitive approach.

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David Gordon Green, a director who is adept at transitioning between comedic and dramatic projects, takes on in Stronger the story of Continue reading Stronger (2017) Movie Review (TIFF 2017)

Trouble Every Day (2001) Movie Review

This review of Claire Denis’ Trouble Every Day is part of the New French Extremity Retrospective series.

Trouble Every Day, the cannibal love story from Claire Denis, has perhaps the quietest opening to a film about cannibals ever. Core (Beatrice Dalle) is picked up on the side of the road by a truck driver, her grateful face soon fading into a fearful desire as she looks at him. We then cut to a man, Leo (Alex Descas), coming across the body of the driver in a field. He sees Core, crouched in fetal position in the underbrush with blood smeared across her mouth, and approaches her. They embrace silently.

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And this film belongs to the same movement as Irreversible and High Tension. Who knew?

Trouble Every Day is depicted as a story of Continue reading Trouble Every Day (2001) Movie Review

Great Choice (2017) Short Film Review (TIFF 2017)

The IMDb summary of Robin Comisar’s latest short film reads simply: “A woman gets stuck in a Red Lobster commercial.” At the the recent Toronto International Film Festival screening of the short, aired prior to the world premiere of Brian Taylor’s Mom and Dad, Comisar commented that Red Lobster is not too happy about his film.

Intriguing enough. What is Great Choice all about?

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Well, to speak a word is to divulge a spoiler, so I will be brief. Comisar’s seven minute film is a VHS-homage commercial about a shrimp deal at Red Lobster. Then, it is a Continue reading Great Choice (2017) Short Film Review (TIFF 2017)

Mom and Dad (2017) Movie Review (TIFF 2017)

Mom and Dad is the new exploitation horror-thriller from Brian Taylor, one half of the Crank directorial duo Neveldine & Taylor. Disturbing, crude, and humorous, this gory flick is vying to become a new staple of midnight movie rotations.

Mom and Dad takes place in a world in which a strange virus (seemingly transmitted through electronic devices) causes parents to brutally Continue reading Mom and Dad (2017) Movie Review (TIFF 2017)

Little Evil (2017) Movie Review

Eli Craig is no stranger to horror movie conventions. As director and co-writer, he skewered them in the cult hit Tucker and Dale vs Evil. The film took the Friday the 13th vein of slasher movies and turned it squarely on its head, to a riotous (if not one-note) comedic result.

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With his sophomore feature film effort, Little Evil, Craig takes on the demon child subgenre, using the framework of The Omen to craft his horror comedy.

The short-form review of Little Evil is that it does not Continue reading Little Evil (2017) Movie Review

Good Time (2017) Movie Review

Good Time opens on a brutal scene in which the mentally handicapped Nick (Benny Safdie, who also co-directs) free associates with a psychiatrist. It is a scene told entirely in tight closeups. Nick stares on at the therapist, at first emptily as he struggles to answer the questions in abstract ways. Then, his still blank face breaks into tears. It is a truly engaging scene that effectively draws you into the film.

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In this scene, it is not immediately clear where Nick is or why he is there. All we have is the claustrophobic moment of Continue reading Good Time (2017) Movie Review