A film studies student such as myself often views for analysis only those documentary films that are radical, experimental, or genre defining. This neglects the more commonplace documentary of speculation, event dissection, or character study.
Holy Hell, in film studies rhetoric, could be considered a “synthetic documentary” not in that it is fabricated, but in that it, from scene one, incorporates Continue reading Holy Hell (2016) Movie Review
In The Nice Guys, two private investigators, one licensed (Ryan Gosling) and one unlicensed (Russell Crowe), go after the same lost woman who has strange ties with the adult film industry.
Shane Black directs this 1970s crime noir comedy. The film visually feels like a Continue reading The Nice Guys (2016) Movie Review
Mac and Kelly Radner (Seth Rogen and Rose Byrne) sell their house under contractual escrow, so they must ensure that nothing in their neighborhood screws up their chances of moving out. Three college freshman (Chloe Grace Moretz, Kiersey Clemons, and Beanie Feldstein) ditch the inherent misogyny of Greek life by creating their own sorority conveniently located next door to the Radners.
This is Neighbors 2, and, based on its premise, it is Continue reading Neighbors 2: Sorority Rising (2016) Movie Review
Sam Raimi’s Darkman is an early superhero film in which scientist Peyton Westlake (Liam Neeson) is brutally attacked and left for dead by the mob. Heavily scarred and bandaged, the faceless Westlake becomes the Darkman, and, using his scientific research on artificial skin, assumes others’ identities in order to exact revenge on his attackers.
This film, in spite of being inescapably ’90s in aesthetic, is an Continue reading Darkman (1990) Movie Review
Stock company IBIS Clear Capital loses $800 million dollars when a trading algorithm “glitches” inexplicably. Lee Gates (George Clooney) hosts a gimmicky, Mad Money-style stock show that gets hijacked by a gunman (Jack O’Connell) as a result of this stock collapse. Our hijacking criminal is trying to reveal the real criminals: the Wall Street bigwigs. How topical.
The film is littered with logical pitfalls and narrative conveniences, but we can let these slide, because Continue reading Money Monster (2016) Movie Review
In Demons (aka Demoni), the 1985 B-movie horror film from Lamberto Bava and Dario Argento, a mysterious film screening is suddenly infested with infectious demons, with the helpless audience trapped inside the theater.
The ’80s horror movie uses dated B-movie effects work. This said, a lot of the practical effects are well-staged, on top of being Continue reading Demons (1985) Movie Review
Sound is a vital part of any horror film. Perhaps the most vital. What happens, then, when you insert a protagonist into a horror-thriller narrative who is deaf. This is exactly the case with Hush, which pits novelist Maddie Young (Kate Siegal), who lives conveniently in the middle of the woods with few people within screaming distance (if she could scream, that is, as she is also mute), against a masked intruder (John Gallagher Jr.).
This premise, in its early stages of execution, makes for a very Continue reading Hush (2016) Movie Review
Two couples move in to a quaint duplex and, coincidentally, both are expecting. Kate and Justin (Clemence Poesy and Stephen Campbell Moore) are unassuming and innocently critical. Theresa and Jon (Laura Birn and David Morrissey) are welcoming and intolerably tidy. Their lives initially appear like mirrors with only the slightest light refracted, but the light starts to bend more and more when they sit down for dinner together. And this light can only hope to continue bending away from center as the film progresses.
The first act, culminating in this dinner scene, is structured with precision. The editing may be standard shot-reverse shots, but the compositions are Continue reading The Ones Below (2016) Movie Review
The premise of Captain America: Civil War is exactly what it sounds like: a legislation called the Sokovia Accords will put restrictions on the power of superheroes, and it threatens to tear the Avengers in two. Divided, faction leaders Cap (Chris Evans) and Iron Man (Robert Downey Jr.) face off in a heated battle for the future of the Marvel Cinematic Universe (MCU).
Narratively, the film juggles many balls, but few of them get dropped. Sure, they are Continue reading Captain America: Civil War (2016) Movie Review
The opening shots of Entertainment are largely static. The Comedian (Gregg Turkington, essentially playing in this film a fictionalized version of himself and his comedic alter-ego Neil Hamburger), stands in an airplane fuselage, looking down. He watches as a clown, Eddie the Opener (Tye Sheridan), prepares for a set at a prison. He looks on dour-faced as the clown “wows” the crowd of prisoners by simply bouncing a ball and clapping his hands.
The first spoken dialogue in the film comes from a tour operator who encourages The Comedian and others to “by all means, go ahead and wander.” Yet the film does the opposite. Continue reading Entertainment (2015) Movie Review
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