Category Archives: Long Reviews (>400 Words)

Criminal Lovers (2000) Movie Review

This review of Francois Ozon’s Criminal Lovers is part of the New French Extremity Retrospective series.

Francois Ozon’s Criminal Lovers begins as a Bonnie & Clyde narrative, where two kids of 17 kill a man in passion and go on the lam, robbing jewelry stores and convenience stores to get by as they make their way into the countryside. Then, it becomes something more akin to a Hansel & Gretel tale of survival.

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Alice (Natacha Regnier) convinces Luc (Jeremie Renier) to help her kill Continue reading Criminal Lovers (2000) Movie Review

Gerald’s Game (2017) Movie Review

A sexually frustrated married couple, Jess (Carla Gugino) and Gerald (Bruce Greenwood), travel to a vacation home in the forest to spice up their sex life. Two pairs of handcuffs (the real ones, not those fuzzy novelty ones that break when you really get going) trap Jess to the reinforced bedposts of a queen-sized bed.

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Jess stops Gerald as the sex game goes to far and starts treading into a rape fantasy that she was not expecting, but of course it can’t simply end there. As they fight about their broken marriage, Jess repeatedly asking for him to uncuff her, Gerald Continue reading Gerald’s Game (2017) Movie Review

Happy Death Day (2017) Movie Review

Tree Gelbman (Jessica Rothe) wakes up hungover in the dorm room of Carter Davis (Israel Broussard). Glibly, she blows him off and leaves to her sorority house, where she continues to brush off people left and right. If you cannot yet tell, she is not a very nice college student. She doesn’t even care that it is her birthday.

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She goes to class (she is engaging in an adulterous relationship with her professor), comes home to prepare for a party, and leaves alone to get there. On the way, she is cornered by a masked knife-wielder and killed. But wait… Continue reading Happy Death Day (2017) Movie Review

The Meyerowitz Stories (New and Selected) (2017) Movie Review

Noah Baumbach’s latest, The Meyerowitz Stories (New and Selected), is the story of a family reuniting when a confluence of life events causes them to float together.

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Danny (Adam Sandler) moves back in with his father (Dustin Hoffman) during a divorce that leaves him without income. At the same time, his daughter Eliza (Grace Van Patten) is beginning film school (her first film is a strangely humorous Avant-garde piece about a hermaphroditic superhero).

Danny’s half-brother Matthew (Ben Stiller) is en route as their father prepares for Continue reading The Meyerowitz Stories (New and Selected) (2017) Movie Review

The Poughkeepsie Tapes (2007) Movie Review

Over the past decade, The Poughkeepsie Tapes has become an artifact of horror fandom lore. Initially set for a 2007 release, John Erick Dowdle’s mockumentary profiling of a serial killer was pulled from the release slate and faded away.  In 2014, the film received a light VOD release and vanished again.

On October 10, 2017, The Poughkeepsie Tapes was given, for the first time, a proper release. It is currently available on DVD and Blu-Ray.

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In retrospect, the film feels like the found footage love child of The Blair Witch Project and V/H/S. Talking head interviews frame the story of a serial killer who Continue reading The Poughkeepsie Tapes (2007) Movie Review

Sheitan (2006) Movie Review

This review of Kim Chapiron’s Sheitan is part of the New French Extremity Retrospective series.

The abrupt open to Sheitan is an utter delight. The first image is a closeup on a man’s shocked face. He asks if we’re ready. There is indistinct noise, perhaps in protest, from outside of the frame. He asks again. Then, he begins scratching a turntable, and we are introduced to a rowdy night club that presents us with the energy of the film. Text appears on the screen that reads: “Do not forgive them, for they know what they do.”

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In this night club are three men who are quickly thrown out for one of their transgressions against patrons. The transgressor, Bart (Olivier Barthelemy), has some issues with anger and sexual aggression toward women (and apparently bad breath).

Before being kicked out, however, they meet Eve (Roxane Mesquida), who invites the three men and Yasmine (Leila Bekhti) to her eccentric home in the country, which is filled with Continue reading Sheitan (2006) Movie Review

Calvaire (The Ordeal) (2005) Movie Review

This review of Fabrice du Welz’ Calvaire is part of the New French Extremity Retrospective series.

Marc Stevens (Laurent Lucas) is a singer. He wows crowds at retirement homes, but he wants to make it big. On the road to a big Christmas gig, his car breaks down in the woods. A man (Jean-Luc Couchard) in search for his dog leads Marc to an isolated inn run by a man named Bartel (Jackie Berroyer).

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Bartel appears an honest, genial innkeeper. In the morning, he tows Marc’s van to the inn and helps to repair it. But he also Continue reading Calvaire (The Ordeal) (2005) Movie Review

Blade Runner 2049 (2017) Movie Review

Caution: This review makes mention of two key plot points of Blade Runner 2049 that may be construed as “spoilers,” even though both are pieces of plot information that are introduced early on in the film. Either way, Denis Villeneuve reportedly asked critics not to reveal any plot points of the film, so I guess you’ve been warned.

It has been 35 years since Ridley Scott’s Blade Runner, a dystopian urban image of a world in which people are hired to hunt down and “retire” artificial beings known as Replicants. Based on, if only in its philosophical quandaries, Philip K. Dick’s novel Do Androids Dream of Electric Sheep?, the film questioned where the line between humanity and artificiality is.

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The script of Blade Runner 2049 from Hampton Fancher and Michael Green continues this existential exploration. The film, directed by Denis Villeneuve, whose cinematic visions have only grown in terms of visuals and heady ideas, follows a new Blade Runner code-named K (Ryan Gosling) as he stumbles upon Continue reading Blade Runner 2049 (2017) Movie Review

Teorema (Theorem) (1968) Movie Review

“Maybe he will let himself be seduced, and we will reap our vengeance on him.”

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Much has been said about “pure cinema,” the cinematic approach of formalism to accomplish narrative and thematic goals. Classical Hollywood cinema brought with it a brand of cohesiveness in storytelling, an emphasis of plot over image (in most cases) that has made pure cinema more of an anomaly than a true practice.

Pier Paolo Pasolini’s drastically quiet Teorema could be considered an exercise in pure cinema. There are, purportedly, less than 1,000 words spoken in the entire film. This story of a young man coming into an affluent household and seducing every Continue reading Teorema (Theorem) (1968) Movie Review

Twentynine Palms (2003) Movie Review

This review of Bruno Dumont’s Twentynine Palms is part of the New French Extremity Retrospective series.

Bruno Dumont’s Twentynine Palms begins unassuming and unsuspecting, with two lovers (David Wissack and Katerina Golubeva) riding down the California highway. It then continues unassuming for the next hour.

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He is an American photographer, and she is a Russian immigrant. They speak different languages, yet they seem to Continue reading Twentynine Palms (2003) Movie Review