I think this year’s Best Director race is really intriguing. It is a group of filmmakers doing a variety of different things, and they all have their merit. While this makes predicting the winner a tough task, and there are many different ways this race could go, I think there are two presumed frontrunners heading into the Directors Guild of America’s award ceremony.
The buzz surrounding 1917, the new film by Sam Mendes in tribute to his grandfather, is its technical achievement of appearing as if it is two extremely long takes. Aside from one pointedly hard cut, the film hides its edits in its pans across surfaces which cover the frame or in tunnels of darkness.
It is a technique reminiscent of Alejandro Gonzalez Inarritu’s Birdman or Alfred Hitchcock’s Rope (Hitchcock would have attempted a completely one-take film if he were not limited by the technical capabilities of the time, which only allowed about seven minutes of footage before the film had to be changed out). The long tracking shots through trenches might also bring to mind Stanley Kubrick’s Paths of Glory, whose long takes make the film feel surprisingly modern.
If you are a long take purist, however, you may Continue reading 1917 (2019) Movie Review
Skyfall opens on an extended foot and car chase, which is choreographed beautifully. It also ends with the apparent death of James Bond (Daniel Craig), shot and left for dead in the sea as Adele’s thunderous theme kicks in. Of course, Bond survives, but MI6 doesn’t know this. M (Judi Dench) must write his obituary. Her job is also threatened for her reckless actions with her agents in the field.
Following this, MI6’s computers are hacked and their headquarters are destroyed. Bond returns to help remedy the situation, but he’s Continue reading Skyfall (2012) Movie Review