Often times, the acting races at the Academy Awards are fairly cut and dry. By the time we get to the Oscar ceremony, it is usually pretty clear which actor is the frontrunner. A lot of this certainty lies in the Screen Actors Guild awards, whose winners often go on to win the Oscar. This is because the acting branch of the Academy is the largest, and the overlap between those voters and the SAG voters is enough to see a general pattern of voting.
This is not to say that upsets are impossible. An upset happened as recent as last year in this very category. So let’s look at who could possibly unseat the frontrunner this year.
Continue reading 2020 Oscar Predictions – Best Actress
Steve McQueen is achieving something rare in modern filmmaking: he is a known-name director who does not adhere to auteur theory. With four feature films under his belt, McQueen has ventured into multiple genres, engaging with them using different filmmaking styles.
In Widows, his latest, he takes on the heist genre. With shades of Continue reading Widows (2018) Movie Review
In Lake Tahoe, 1969, four guests arrive at the El Royale, a motel that sits at the borderline between Nevada and California. A painted line divides the parking lot and the motel interior in half. “You can choose to stay in the great state of California,” desk clerk Miles (Lewis Pullman) explains, with a practiced sweep of his arm. “Or you can choose to stay in the great state of Nevada.”
Miles seems to be the sole employee in the establishment. He does the housekeeping. He tends the bar. He doles out the keys. And he watches who management tells him to watch.
The El Royale hasn’t seen much business since the place lost its gambling license the year prior, according to the all-talk vacuum cleaner salesman Laramie Seymour Sullivan (Jon Hamm) waiting for service at the counter. But on this particular night Continue reading Bad Times at the El Royale (2018) Movie Review
One man. Millions of movies.