As opposed to the Best Original Screenplay category, the Oscar race for Best Adapted Screenplay is fairly narrow. There are some interesting picks, but the winners and losers are clear cut. For the most part.
Unlike the Best Original Screenplay contenders, the 2018 Best Adapted Screenplay crop runs thin. There are five slots to fill, and the number of sure-things is only about three deep. This leaves a couple of contested spots that could seemingly be filled by any number of movies.
It is obligatory to acknowledge the continual absurdity of the Golden Globe taxonomy vis a vis what constitutes a “Drama” and what constitutes a “Musical or Comedy,” but I don’t want to dwell on the point. It is getting exhausting.
If Get Out and Lady Bird are comedies, so is Three Billboards Outside Ebbing, Missouri. Why bother separating the two categories at all? Yeah, it gives comedies a chance to compete, because the dramas often nudge out the comedies. But most other awards outlets have expanded beyond five nominees. Why wouldn’t the Golden Globes just go to one category of 10 films? Who knows!
Whatever. Let’s talk about movies, I guess…
Best Motion Picture – Drama
Instead, The Disaster Artist takes an earnest approach. It aims to convince us that it is the drive of Wiseau’s vision which is truly Continue reading The Disaster Artist (2017) Movie Review