I’m no music critic. The Academy branch that determines the Best Original Song nominees probably don’t think about film the way I do. They could reach out and pull out a song from a film I’ve never heard of, because they’re only listening to the songs regardless of quality of movie.
Still, I’ve put it on myself to roll out predictions. You can’t expect them all to come from my mouth.
Continue reading 2018 Academy Awards Predictions – Best Original Song Nominees
One benefit a musical is afforded is narrative efficiency. As we see at the beginning of The Greatest Showman, entire backstories and a character’s drives and goals can be distilled into a single song. But narrative efficiency should not replace depth of characterization, storytelling, nor theme.
The themes at the heart of the songs in The Greatest Showman are not particularly deep or insightful. The power of dreams and acting on them. The power of individuality and being comfortable in one’s own skin. Tolerance of those different than yourself. A general distaste for upper class snobbishness. None of these concepts are Continue reading The Greatest Showman (2017) Movie Review
It is obligatory to acknowledge the continual absurdity of the Golden Globe taxonomy vis a vis what constitutes a “Drama” and what constitutes a “Musical or Comedy,” but I don’t want to dwell on the point. It is getting exhausting.
If Get Out and Lady Bird are comedies, so is Three Billboards Outside Ebbing, Missouri. Why bother separating the two categories at all? Yeah, it gives comedies a chance to compete, because the dramas often nudge out the comedies. But most other awards outlets have expanded beyond five nominees. Why wouldn’t the Golden Globes just go to one category of 10 films? Who knows!
Whatever. Let’s talk about movies, I guess…
Best Motion Picture – Drama
Continue reading 2018 Golden Globes Predictions – Best Picture