It is obligatory to acknowledge the continual absurdity of the Golden Globe taxonomy vis a vis what constitutes a “Drama” and what constitutes a “Musical or Comedy,” but I don’t want to dwell on the point. It is getting exhausting.
If Get Out and Lady Bird are comedies, so is Three Billboards Outside Ebbing, Missouri. Why bother separating the two categories at all? Yeah, it gives comedies a chance to compete, because the dramas often nudge out the comedies. But most other awards outlets have expanded beyond five nominees. Why wouldn’t the Golden Globes just go to one category of 10 films? Who knows!
Whatever. Let’s talk about movies, I guess…
Best Motion Picture – Drama
Continue reading 2018 Golden Globes Predictions – Best Picture
Someone tell me, is this the first time an actor has received a major award nomination for only doing reshoots? This is the easiest award nomination Christopher Plummer has ever received!
The narrative of the Golden Globes director category may end up being more about who was not included over who was. It was a deep well this year, with a lot of strong films coming from new and veteran directors. Yes, it is sad not to see newcomers Greta Gerwig and Jordan Peele in the mix. Yes, it is surprising, yet wholly explainable, to see Ridley Scott here. Yes, Luca Guadagnino should have wound up in the top five.
In Three Billboards Outside Ebbing, Missouri, a title so laborious and specific that it can’t help but get stuck in your head, Mildred Hayes (Frances McDormand) rents out three billboards (they haven’t been used in years, not since the highway went up) and plasters a notice up on them. Black on red. A question aimed at Police Chief Willoughby (Woody Harrelson) asking for justice for Mildred’s dead daughter.
A confrontational pitch-black comedy about reactionary culture and life-altering emotional extremity, Three Billboards delivers one of the Continue reading Three Billboards outside Ebbing, Missouri (2017) Movie Review