Editing. It is a fundamental component to the film form. Without it…oh man, I’m getting sick of writing the preambles in these articles. Best Editing is an Oscar category. We all know this. Let’s get into it.
Continue reading 2018 Academy Awards Predictions – Best Editing →
Best Actress has what is perhaps the widest gap between the front-runner and the other contenders. I mean, France McDormand is cleaning up from award show to award show. It is difficult to see anyone else taking that Oscar.
But, you know, I have to keep all other options on the table. Otherwise, there wouldn’t be an article to write.
Continue reading 2018 Academy Awards Predictions – Best Actress →
Having the screenplay category split in two generally makes predicting the nominees and winners fairly easy. At this stage in the 2018 awards season, though, there are plenty of outliers who could sneak into the mix. Even scripts that seem like obvious choices could become victim to an upset.
Continue reading 2018 Academy Awards Predictions – Best Original Screenplay Nominees →
There is one word that describes every facet of the film I, Tonya. Energy. From the acting performances, to the editing, to the camera work, to the dialogue, to the framing device, to the soundtrack there is a constant and consistent energy. There is never a wasted or dull moment. It is a two-hour movie that breezes by.
Beneath this energy, which is spear-headed by dark comedy, is a surprising amount of empathy that the film drums up around the figure of Tonya Harding (portrayed here by Margot Robbie). The highly publicized story of Harding plays out in the film in a Continue reading I, Tonya (2017) Movie Review →
It is obligatory to acknowledge the continual absurdity of the Golden Globe taxonomy vis a vis what constitutes a “Drama” and what constitutes a “Musical or Comedy,” but I don’t want to dwell on the point. It is getting exhausting.
If Get Out and Lady Bird are comedies, so is Three Billboards Outside Ebbing, Missouri. Why bother separating the two categories at all? Yeah, it gives comedies a chance to compete, because the dramas often nudge out the comedies. But most other awards outlets have expanded beyond five nominees. Why wouldn’t the Golden Globes just go to one category of 10 films? Who knows!
Whatever. Let’s talk about movies, I guess…
Best Motion Picture – Drama
Continue reading 2018 Golden Globes Predictions – Best Picture →
This year, the two supporting acting categories are steeped with talent. Thankfully, both categories also have a few clear favorites that will rise to the surface and make my job a little easier. In my mind, Best Supporting Actress is already in the books. Then again, apparent certainty can blind one to other variables, so maybe take a grain of salt or two on this one.