Category Archives: Long Reviews (>400 Words)

The Greatest Showman (2017) Movie Review

One benefit a musical is afforded is narrative efficiency. As we see at the beginning of The Greatest Showman, entire backstories and a character’s drives and goals can be distilled into a single song. But narrative efficiency should not replace depth of characterization, storytelling, nor theme.

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The themes at the heart of the songs in The Greatest Showman are not particularly deep or insightful. The power of dreams and acting on them. The power of individuality and being comfortable in one’s own skin. Tolerance of those different than yourself. A general distaste for upper class snobbishness. None of these concepts are Continue reading The Greatest Showman (2017) Movie Review

Bright (2017) Movie Review

So get this: it’s a buddy cop movie starring Will Smith. Yeah, sure, it reminds one of Bad Boys, only Smith’s partner Jakoby (Joel Edgerton) is an Orc. And Smith’s character, Ward, is racist against Orcs like the rest of the police force. In this universe, pretty much everyone is racist against Orcs, and Elves, and Fairies. At one point, Smith swings a broom at a Fairy, trying to kill it, and says: “Fairy lives don’t matter today.”

So, you know, the film’s subtle.

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Ward and Jakoby find themselves in the middle of a war between the police, various gangs, and some assassin Elves. It is a war over a misplaced wand, which, based on what people are willing to do for it, seems to have an equivalent power to Continue reading Bright (2017) Movie Review

Downsizing (2017) Movie Review

Alexander Payne’s latest is a sci-fi comic drama about a man named Paul Safranek (Matt Damon) who decides to engage in the biggest scientific innovation since the Apollo space program: Downsizing.

Downsizing, or “going small,” is the process of shrinking one’s body down to five inches and moving to one of many small communities, a “magical” place where everything is cheaper because the quantity the consumer requires is smaller (although, economy isn’t all about quantity…if there’s a demand for small diamonds, wouldn’t the price of small diamonds go up regardless? But I digress).

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Downsizing has a sprawling plot. For a film about shrinking a person and putting them under a glass dome, there is a lot of movement. Too much, to be frank. The first act of the film is firmly planted in Continue reading Downsizing (2017) Movie Review

The Villainess (2017) Movie Review

The opening scene to The Villainess employs the same video game POV styling of Hardcore Henry, although here director Byung-gil Jung doesn’t mince any words.

While directed flashy, this opening scene benefits from its frenetic whip pans which hide some shoddy CG blood effects. Five minutes into the film, when the camera pulls back to reveal our protagonist for the evening—the almost mechanically ferocious Sook-hee (Ok-bin Kim)—the camera captures stunt choreography more successfully. Still, the whole scene remains overly frantic and shaky.

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Why spend so much time discussing the film’s opening scene? It is Continue reading The Villainess (2017) Movie Review

Star Wars: The Last Jedi (2017) (SPOILER) Movie Review

Note: Yep, spoilers. I’m not bothering to attempt this review without actually talking about the film.

From the first sequence of Star Wars: The Last Jedi, it is clear that what you are watching is going to be a different take on the Star Wars universe. It is a dogfight in the skies of space, with the roguish Poe Dameron (Oscar Isaac) quipping as he leads a squadron of bombers toward the First Order fleet.

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This sequence engages with the formulaic conceit of a Star Wars dogfight, and it even replicates Continue reading Star Wars: The Last Jedi (2017) (SPOILER) Movie Review

The Disaster Artist (2017) Movie Review

James Franco’s The Disaster Artist could have been the extension of a joke, an acknowledgment of the irony that makes Tommy Wiseau’s historical miscalculation The Room such an audience favorite. That would have been the easy route, and it would have made for a less compelling film.
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Instead, The Disaster Artist takes an earnest approach. It aims to convince us that it is the drive of Wiseau’s vision which is truly Continue reading The Disaster Artist (2017) Movie Review

Coco (2017) Movie Review

Pixar films often run on a formula of a handful of sure-fire tropes. A protagonist with dreams bigger than the present situation, prevented from acting on those dreams by external forces. A sidekick character who either doesn’t talk or has way too much to say. A supporting character who turns out to be evil at the third act break. The hero’s journey, all in pursuit of a theme that revolves around family and/or finding oneself.

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Coco does not deviate wildly from this formula, certainly not as much as Continue reading Coco (2017) Movie Review

Novitiate (2017) Movie Review

When Pope John XXIII created Vatican II, it shook the Catholic Church to its core. The Second Vatican Council  was a big deal at the time, being that it was the first reconvening of Roman Catholic officials for the sake of reform in over 100 years.

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In the wake of Vatican II, thousands of nuns left the Church given that, in an attempt to create a more open and inviting Church, the status of nuns was Continue reading Novitiate (2017) Movie Review

Three Billboards outside Ebbing, Missouri (2017) Movie Review

In Three Billboards Outside Ebbing, Missouri, a title so laborious and specific that it can’t help but get stuck in your head, Mildred Hayes (Frances McDormand) rents out three billboards (they haven’t been used in years, not since the highway went up) and plasters a notice up on them. Black on red. A question aimed at Police Chief Willoughby (Woody Harrelson) asking for justice for Mildred’s dead daughter.

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A confrontational pitch-black comedy about reactionary culture and life-altering emotional extremity, Three Billboards delivers one of the Continue reading Three Billboards outside Ebbing, Missouri (2017) Movie Review

Roman J. Israel, Esq. (2017) Movie Review

It wouldn’t be surprising if you only know of the film Roman J. Israel, Esq. because the poster features the back of Denzel Washington’s head. It’s understandable. It’s not as if the name is particularly catchy. But Roman J. Israel, Esq. is the second directorial feature from Dan Gilroy, the man behind Nightcrawler and the scripts of such films as The Fall and Bourne Legacy.

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For someone who appreciated Nightcrawler, it is not unreasonable to anticipate good things from Gilroy’s follow up. Don’t be fooled. Roman J. Israel, Esq.—and I only keep reiterating the name because we are reminded of it time and time again in the film—is not Continue reading Roman J. Israel, Esq. (2017) Movie Review