The opening scene to Joe Talbot’s directorial feature debut, The Last Black Man in San Francisco, based on a story by the film’s lead performer Jimmie Fails, packs in a lot. So much so that it can be off-putting. It starts on a child walking down the street, who finds blocking her path a sanitation worker in a hazmat suit. They are cleaning the heavily contaminated water of the San Francisco Bay. The camera keeps on her for a time, then pivots to a man on a soapbox decrying the poor current state of the city—“whole blocks half in the past, half in the future.”
We then settle on our protagonists, who sit at a bus stop watching the man preach. Jimmie Fails (played by Fails) and Montgomery “Mont” Allen (Jonathan Majors) get impatient of the bus (which never seems to come when they want it to) and decide to skateboard to their destination instead. The pair stand on one skateboard and coast across the city. Where they land is Continue reading The Last Black Man in San Francisco (2019) Movie Review
Sorry to Bother You is the sort of film that wants to do so much, and delights so much in each thing that it attempts to do, that it is hard not to get caught up in the manic world and unique artistic voice. On the other hand, the further you go into unpacking the densely-packed funhouse of oddities in the film, the harder it is to wrap your head around why you enjoyed the viewing experience in the first place.
To be clear, it is difficult to explore this funhouse without delving into crucial plot details that are better experienced untarnished, as predictability is a word that holds no meaning in the final third of the film. But there is something that Continue reading Sorry to Bother You (2018) Movie Review
Stop me if this sounds familiar. A hired gun is looking to get out of the game. She kills the wrong person. She finds herself in a relationship that adds empathy to a job that requires apathy. Based on circumstances outside of her control, her own crew turns against her. Now on her own, she has to leave a trail of bodies behind if she wants to get out and make a better life for herself.
Yeah, Proud Mary is that movie. Taraji P. Henson plays Mary, a hitwoman who has been following a kid, a young boy named Danny (Jahi Di’Allo Winston) whose father she assassinated a year earlier. She works for a Continue reading Proud Mary (2018) Movie Review
This review of Saw is part of the Saw Franchise Retrospective series in anticipation of this month’s release of Jigsaw.
The first image we see in James Wan’s Saw, now somewhat of a perennial torture porn classic, sets up the illogical world that this series is grounded in. A fitting introduction, one might say. We see Adam (Leigh Whannell, who also serves as screenwriter) underwater in a tub with a key dangling in front of his face. He is holding his breath, but also unconscious. When he wakes, he yanks open the drain and the key disappears forever.
How long was he out? How could he be alive after Continue reading Saw (2004) Movie Review
One man. Millions of movies.