There may not be much charm in the title Stuber—if you don’t have the pieces of the clumsy portmanteau pieced together from the trailer before going to the cinema, then it is a title likely to breed more confusion than chuckles. But there is some charm to the notion of an original buddy cop comedy within a Summer drought of failing franchise/reboot IP (Disney not included, at least not financially-speaking).
Ari Aster does not care if you’re comfortable. If his first two films are any indication, it appears that he prefers the opposite. With his debut, Hereditary, Aster approached grief with a macabre twist that winds up making the weight of grief seem feathery by comparison.
With Midsommar, Aster approaches grief with a macabre twist that winds up making the weight of grief seem…am I repeating myself?
Aster’s two films take staid, empty, and largely silent burdens and makes them bleed into
The Marvel Studios machine keeps turning. With Avengers: Infinity War and Avengers: Endgame, there was a satisfying conclusion to the three-phase arc that is the Marvel Cinematic Universe thus far. This epic two-part film event provided caps on long-standing MCU characters without really hinting at anything beyond.
Yet MCU phase three, as it is currently outlined, concludes with Spider-Man: Far From Home.
Yesterday is a perfect example of a film that makes for a great trailer. A trailer that hides everything but the premise, because nothing other than the premise would be enticing to put into a trailer.
Note: I don’t spoil any major plot points in this review, but I hint at aspects of Toy Story 4 that could be construed as spoilers. So let’s just call this a spoiler review.
Walking into Pixar’s Toy Story 4, I thought the pertinent question would be: was a fourth installment necessary? Given how most Pixar sequels have not lived up to their predecessors (Toy Story 2 being the most notable exception) and how Toy Story 3 presents an adequate ending to the then trilogy, it made little sense for a fourth film to exist beyond the want for money.
Lars Klevberg and Tyler Burton Smith’s Child’s Play is not so much a reboot or remake. It is more of a new film with a Chucky skin layered on. The Child’s Play brand is well-known. Killer children’s doll kills. A simple premise.
Smith’s script changes many aspects surrounding this premise. The Buddi toy, even though it looks like a doll from the late ’80s, is a toy for the modern era. It is a home-connecting device, voice activated like a Google Home or an Amazon Alexa. It connects to your television, stereo, electrical system, etc.
Chucky (Mark Hamill), the doll in question, is gifted to teenage Andy (Gabriel Bateman) by his mother (Aubrey Plaza), who works at the return counter of the Zed Mart that is stuffed to the brim with Buddi dolls. Instead of being possessed by the soul of a ruthless killer, however, this Chucky is Continue reading Child’s Play (2019) Movie Review→
This is not the elegant, professional way to start a review, but I’ve got to do it. The way that a zombie’s head explodes in Jim Jarmusch’s The Dead Don’t Die…boy, that’s something. Why, before now, have I never seen a zombie movie where the zombie’s dried-out corpse body spews purple dust blood? Just clouds of misting blood all over the frame. I love it.