The first episode of the much anticipated reboot of The Twilight Zone, executive produced and narrated by Jordan Peele, is freely available to watch online. Future episodes are solely available on CBS All Access.
In The Beach Bum, Matthew McConaughey is the most Matthew McConaughey that McConaughey has ever McConaugheyed.
Armed with scraggled, hay-colored hair; flip-up shades; psychedelic Hawaiian print shirts; and constant PBR tallboys, Moondog (McConaughey) has the outer appearance of a grizzled, careless sea dog. But in reality, Moondog is “the most prolific poet in all of Key West, Florida.” This according to a dive bar musician, who allows Moondog on stage to sing along and then riff an unformed piece of poetry.
Jordan Peele understands the horror movie industry. Given he came out of the Blumhouse label with his directorial debut, the massively successful Get Out, this is no controversial statement. But his adept understanding of what works and doesn’t work about a horror film does not end at Jason Blum’s low-risk, high-reward model.
Rupert Wyatt’s Captive State begins with the trope of the ominous, overlapping news audio playing over black screens and production logos. The newscasters speak of an “apocalyptic” state. Then, we see a city of Chicago in chaos. From the vantage of noxious, tight handheld closeups inside of a car, we witness civilians trying to evacuate and being contained by the military. The car we occupy gets through the blockade, just barely, but is stopped by an elusive, pitch-colored, form-shifting alien.
After a troubled development process, Triple Frontier, a military heist drama, has dropped on Netflix. Originally fronted by Paramount, Frontier was to be directed by Kathryn Bigelow (she retains producer credit) and starring Tom Hanks and Johnny Depp.
Michael (Mark Duplass) sits in a doctor’s office listening to his diagnosis. Andy (Ray Romano) stands at his side. They’re friends, of a sort, though their go-to descriptor for the relationship is “neighbor.” As Andy tries to wrap his head around Michael’s diagnosis—cancer, most likely of the terminal variety—he stammers. Flustered, he tries to get a straight answer out of the doctor, who has nothing to offer.
Then, Michael and Andy go about their regular day. They play a racquetball variation called “Paddleton.” They watch the same kung-fu movies on VHS. They do puzzles together. They say little and share a lot.
There is something perversely compelling about Greta, the new film from Neil Jordan. At the same time, there is something far too familiar about the film, a terse obsession thriller.
Perhaps the fascination begins and ends with the inimitable Isabelle Huppert, who literally pirouettes through her pathological, homicidal character. She is Continue reading Greta (2019) Movie Review→
In January, I made my Academy Awards predictions for 2019. Since then, a lot has changed. Some of my original predictions should be considered null and void. That said, the following predictions are by no means expert predictions. And most importantly, the Academy Awards are not the end-all be-all of filmmaking achievement in a given year. There are plenty of films that the Academy chose not to honor that are deserving of some attention.
In any case, here are my final predictions for the 2019 Oscars.
Legend
Will Win: My pick to win
Upset Watch: A potential spoiler
Could Win: The race is too close to call it an upset, or I am picking against the favorite
Should Win: My personal favorite(s) out of the nominees
With the 91st Academy Awards just days away, awards season is coming to an unceremonious end. That is unless the Academy has something up its sleeve after angering viewers at every turn. There will be no host, all categories will be presented during the telecast, and there is no Most Popular category. All of this backlash for a broadcast dedicated to handing gold trophies out to famous people.