Best Visual Effects is a fun Oscar category. Historically speaking, at least. I googled this award for like two minutes and was delighted at what I found. Just the growth of the award as technical capabilities have excelled. It’s fascinating. Just a little over a decade ago, the category only held three nominees. In some years, the category wasn’t even a competition; they just gave it to a film.
More about this in a bit. For now, let’s look at the nominees.
Continue reading 2018 Academy Awards Predictions – Best Visual Effects
The 2018 crop of Best Original Score nominees is mainly comprised of familiar faces to the Academy: Williams, Desplat, Zimmer, etc. That said, there’s one newcomer to the Oscar-nominee club that could shake things up in this category.
Continue reading 2018 Academy Awards Predictions – Best Original Score
With the two sound categories—Sound Mixing and Sound Editing—holding the same five nominees, it is tempting to give the win for both awards to the same film. While usually I would warn against this notion, this year the possibility for that happening is certainly there.
Best Sound Mixing:
Continue reading 2018 Academy Awards Predictions – Best Sound (Editing and Mixing)
Note: Yep, spoilers. I’m not bothering to attempt this review without actually talking about the film.
From the first sequence of Star Wars: The Last Jedi, it is clear that what you are watching is going to be a different take on the Star Wars universe. It is a dogfight in the skies of space, with the roguish Poe Dameron (Oscar Isaac) quipping as he leads a squadron of bombers toward the First Order fleet.
This sequence engages with the formulaic conceit of a Star Wars dogfight, and it even replicates Continue reading Star Wars: The Last Jedi (2017) (SPOILER) Movie Review