Best Visual Effects is a fun Oscar category. Historically speaking, at least. I googled this award for like two minutes and was delighted at what I found. Just the growth of the award as technical capabilities have excelled. It’s fascinating. Just a little over a decade ago, the category only held three nominees. In some years, the category wasn’t even a competition; they just gave it to a film.
More about this in a bit. For now, let’s look at the nominees.
Continue reading 2018 Academy Awards Predictions – Best Visual Effects →
The Best Visual Effects category has been narrowed down by the Academy to 10 films. Makes my job easier, sure, but even without the shortlist I think these five films would be the ones with the nominations.
Continue reading 2018 Academy Awards Predictions – Best Visual Effects Nominees →
Box Office Results: Weekend of August 4
- The Dark Tower – $19.5 million
- Dunkirk – $17.6 million
- The Emoji Movie – $12.35 million
- Girls Trip – $11.41 million
- Kidnap – $10.21 million
- Spider-Man: Homecoming – $8.8 million
- Atomic Blonde – $8.24 million
- Detroit – $7.25 million
- War for the Planet of the Apes – $6 million
- Despicable Me 3 – $5.28 million
August is off to a slow start in 2017, with a season low estimated cume. Newcomer The Dark Tower leads the pack with Continue reading Weekend Box Office Breakdown: August 4 – 6 →
It’s Christmas in July! That’s right, it’s time to talk about the Oscars. Wait, I hear you begin to gripe, the 2017 Oscars were mere months ago! How could you possibly be predicting the 2018 Best Picture nominees already?
And you’re right. I can’t. I’ll probably delete all of these Irresponsibly Early Oscar prediction articles by next January once my findings have been proved astoundingly wrong.
Until then, let’s talk about movies that, for the most part, no one has seen yet and discuss them in ways that give them unwarranted hype and grossly premature acclaim.
Continue reading Irresponsibly Early Oscars 2018 Predictions: Best Picture →
Do you ever stop to think that 20, 30, 40 years from now the computer effects work that we herald in today’s cinema will look dated and unfortunate, as we may look back now on science fiction CG from decades past?
At the onset of War for the Planet of the Apes, I thought of this briefly. I studied the edges of our simian compadres against the lush nature backdrops. Wondered if Winter (Aleks Paunovic) might stand out as too artificial given his albino coloring.
Then I dropped that thought. Even if somehow animators and effects artists master that Continue reading War for the Planet of the Apes (2017) Movie Review →
I’m about a month late to this game, but, you know, life gets in the way sometimes. Who are you to judge? This said, I am cheating a bit with a month’s worth of data already available.
Either way, it is time to take a look at what Hollywood blockbusters will top the domestic box office in Summer 2017 (Summer 2017 in this case encompassing the period between the first weekend in May and Labor Day weekend). Shall we?
The Top Ten: Continue reading 2017 Summer Box Office Predictions →
July. There are movies. Some of them are big. Some of them will suck. Must I go on writing preamble?
Do we need another Spider-Man movie? He was my favorite comic book character as a child. Then I grew older and cynical and found out about Watchman and The Killing Joke. Either way, my inner child is sick of Continue reading Summer 2017 Movie Release Preview: July →