Category Archives: Comedy

I am serious…and don’t call me Shirley.

Blockers (2018) Movie Review

Prom night. It is movie shorthand for virginal teenagers vying to no longer be virginal. A cliche that has worn a comfy groove for itself with a number of teenage rom coms, raunchy comedies, and the like.

Prom night is the setting of Blockers, the directorial debut of Pitch Perfect screenwriter Kay Cannon. And, surprisingly, the film finesses its way around the pitfalls of such a cliched locale quite well.

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The film centers on three parents (Leslie Mann, John Cena, and Ike Barinholtz) who discover that their daughters (Kathryn Newton, Geraldine Viswanathan, and Gideon Adlon) have made a pact to have sex for the first time on prom night. How the parents decide to react to this knowledge is Continue reading Blockers (2018) Movie Review →

Thoroughbreds (2018) Movie Review

You wouldn’t know by looking at it, but Thoroughbreds is writer-director Cory Finley’s debut film.

In it, expelled prep school student Lily (Anya Taylor-Joy) rekindles an old friendship with Amanda (Olivia Cooke), who admits to Lily that she feels no emotion. Upon observing Lily’s step father Mark (Paul Sparks), who Lily openly despises for the emotional abuse he exerts on her mother, Amanda brings up the notion of murdering him.

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The film uses its morbidly comic lens to hone in on concepts of control and ownership in an upper-class, suburban setting. Waves of classism flow on the fringes of the narrative, from the Continue reading Thoroughbreds (2018) Movie Review →

Gringo (2018) Movie Review

Harold Soyinka (David Oyelowo), a low-on-the-totem-pole businessman working for a nondescript white collar business run by Richard Rusk (Joel Edgerton) and Elaine Markinson (Charlize Theron) travels to Mexico to take a meeting, only to find out that he is being used as a patsy by his employers.

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The man that he is in Mexico to meet, it turns out, works for drug kingpin Black Panther (not that one), who, upon hearing that they are being cut out of Richard and Elaine’s business dealings, assumes Harold is Continue reading Gringo (2018) Movie Review →

Game Night (2018) Movie Review

Annie (Rachel McAdams) and Max (Jason Bateman) have a relationship that was founded on the competition of game night. They first meet at a bar trivia night. Max proposes during a game of charades. Years later, they continue the tradition of a weekly game night with their friends (Lamorne Morris, Kylie Bunbury, and Billy Magnussen).

The only issue on this particular weekend is that Max’s upstaging big brother Brooks (Kyle Chandler) is in town and ready to blow Max’s game night out of the water. Brooks plans a game night at his luxurious home that he claims will be unlike any other. He’s not wrong, but even he does not foresee what is about to happen.

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Game Night is a broad comedy with a sprawling plot that sends this small band of characters across the city, pitting them, at first unbeknownst to them, in Continue reading Game Night (2018) Movie Review →

Paddington 2 (2018) Movie Review

Paddington 2 has a simple message, but one that is nevertheless easily forgotten. Be nice to people. Pay it forward. Yadda yadda. It sounds obvious, and it sounds like it would play saccharine in a children’s film about a naive little bear. But, for the second time, it doesn’t.

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I would like to make the argument that this second film is Continue reading Paddington 2 (2018) Movie Review →

I, Tonya (2017) Movie Review

There is one word that describes every facet of the film I, Tonya. Energy. From the acting performances, to the editing, to the camera work, to the dialogue, to the framing device, to the soundtrack there is a constant and consistent energy. There is never a wasted or dull moment. It is a two-hour movie that breezes by.

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Beneath this energy, which is spear-headed by dark comedy, is a surprising amount of empathy that the film drums up around the figure of Tonya Harding (portrayed here by Margot Robbie). The highly publicized story of Harding plays out in the film in a Continue reading I, Tonya (2017) Movie Review →

Downsizing (2017) Movie Review

Alexander Payne’s latest is a sci-fi comic drama about a man named Paul Safranek (Matt Damon) who decides to engage in the biggest scientific innovation since the Apollo space program: Downsizing.

Downsizing, or “going small,” is the process of shrinking one’s body down to five inches and moving to one of many small communities, a “magical” place where everything is cheaper because the quantity the consumer requires is smaller (although, economy isn’t all about quantity…if there’s a demand for small diamonds, wouldn’t the price of small diamonds go up regardless? But I digress).

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Downsizing has a sprawling plot. For a film about shrinking a person and putting them under a glass dome, there is a lot of movement. Too much, to be frank. The first act of the film is firmly planted in Continue reading Downsizing (2017) Movie Review →

The Disaster Artist (2017) Movie Review

James Franco’s The Disaster Artist could have been the extension of a joke, an acknowledgment of the irony that makes Tommy Wiseau’s historical miscalculation The Room such an audience favorite. That would have been the easy route, and it would have made for a less compelling film.
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Instead, The Disaster Artist takes an earnest approach. It aims to convince us that it is the drive of Wiseau’s vision which is truly Continue reading The Disaster Artist (2017) Movie Review →

Three Billboards outside Ebbing, Missouri (2017) Movie Review

In Three Billboards Outside Ebbing, Missouri, a title so laborious and specific that it can’t help but get stuck in your head, Mildred Hayes (Frances McDormand) rents out three billboards (they haven’t been used in years, not since the highway went up) and plasters a notice up on them. Black on red. A question aimed at Police Chief Willoughby (Woody Harrelson) asking for justice for Mildred’s dead daughter.

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A confrontational pitch-black comedy about reactionary culture and life-altering emotional extremity, Three Billboards delivers one of the Continue reading Three Billboards outside Ebbing, Missouri (2017) Movie Review →

Lady Bird (2017) Movie Review

The teenage bildungsroman is a common narrative formula. Lady Bird, Greta Gerwig’s directing debut (she also serves as screenwriter), may be another addition to the list, but it does not feel like another tired addition. If anything, it exists in this long line of coming of age films as as much of a standout as the film’s eponymous role: a personality so bold and big but also honest that it demands to be taken on its own merits.

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This is undoubtedly caused by Gerwig’s distinct presence. Even as a first-time director, it is clear that this is uniquely Continue reading Lady Bird (2017) Movie Review →