Not unlike his Three Billboards outside Ebbing, Missouri co-star Frances McDormand, Sam Rockwell seems to have this award locked up. But there are no sure things in this world.
Continue reading 2018 Academy Awards Predictions – Best Supporting Actor
The Oscars Best Supporting Actor category is one that has yet to be narrowed down. There are a couple of sure-things. There is also plenty of upset potential. The well of actors in the category runs deep. Let’s try to figure it out!
Continue reading 2018 Academy Awards Predictions – Best Supporting Actor Nominees
In Three Billboards Outside Ebbing, Missouri, a title so laborious and specific that it can’t help but get stuck in your head, Mildred Hayes (Frances McDormand) rents out three billboards (they haven’t been used in years, not since the highway went up) and plasters a notice up on them. Black on red. A question aimed at Police Chief Willoughby (Woody Harrelson) asking for justice for Mildred’s dead daughter.
A confrontational pitch-black comedy about reactionary culture and life-altering emotional extremity, Three Billboards delivers one of the Continue reading Three Billboards outside Ebbing, Missouri (2017) Movie Review
If you ever wanted to hear Lyndon Johnson (portrayed here by Woody Harrelson) discuss the hang of his testes, Rob Reiner’s LBJ is the film for you. The subject comes up twice, showing up again near the end as if it is a brilliant comedic callback meant to elicit hoots and hollers.
I was surprised to hear, two days before the film’s release, that there was a Continue reading LBJ (2017) Movie Review
Based on the memoir by Jeannette Wells, The Glass Castle tells the story of four children raised in an inconstant, emotionally troubling household. The family, led by an alcohol abusing patriarch (Woody Harrelson), moves from squat house to squat house to avoid paying taxes. The children do not go to school. The family, at one point, resorts to showering at the public pool.
The films feels most readily akin to last year’s Captain Fantastic. Only, it lacks the Continue reading The Glass Castle (2017) Movie Review
Do you ever stop to think that 20, 30, 40 years from now the computer effects work that we herald in today’s cinema will look dated and unfortunate, as we may look back now on science fiction CG from decades past?
At the onset of War for the Planet of the Apes, I thought of this briefly. I studied the edges of our simian compadres against the lush nature backdrops. Wondered if Winter (Aleks Paunovic) might stand out as too artificial given his albino coloring.
Then I dropped that thought. Even if somehow animators and effects artists master that Continue reading War for the Planet of the Apes (2017) Movie Review