The American Society of Cinematographers (ASC) had their annual awards ceremony was held this past Sunday, and Garth Davis’ Lion surprised by winning the feature film award. The film beat out awards season heavy-hitter La La Land, as well as the other fantastically shot films Arrival, Silence, and Moonlight.
In an awards season made boring by La La Land sweeping up wins wherever and whenever possible, this might be the first Continue reading Can Lion Win the Oscar for Best Cinematography?
The opening shot of Tim Sutton’s Dark Night, coming after almost a minute of music playing over a black screen, is a beautiful yet unceremoniously conventional shot. It is the reflexive kino eye shot, showing the awareness of artifice and mediation within a filmic representation.
Gorgeous red and blue neon washes over the eye of an onlooker. We can see the approaching police car in her pupil. It is tragedy in a snapshot; fundamentally artistic even if the eyeball shot has appeared everywhere from Un Chien Andalou to LOST.
Dark Night chronicles the lives of those affected by the 2012 Aurora shooting that took place in a Colorado screening of the film The Dark Knight Rises. The film is proposed as a Continue reading Dark Night (2017) Movie Review
The premise of The Ring has always seemed silly. “You ever hear about the videotape that kills people in seven days?” This is one of the first lines of Rings, this third English-language installment of the franchise, itself a remake of the J-Horror sensation Ringu.
On a plane, two people who watched the tape are killed by Samara, the pallid, greasy black-haired monster of the film, as she climbs out of a monitor in the cockpit. This essentially unrelated cold open is the shoddiest scene in the entire film; a strange way to Continue reading Rings (2017) Movie Review
The Directors Guild Awards (DGAs) are this Saturday, February 4. Ignoring television, as I do not watch it, there are three film categories that could act as precursors to the Academy Awards.
Surprisingly, Ava DuVernay did not receive a nomination in the documentary category for 13th. Without this competition, there is no feasible scenario where Continue reading What to Expect From the Directors Guild Awards 2017
Alas, the Academy-nominated short films have not made their way to screens in my area yet. I have had the privilege of seeing and reviewing two of these Oscar short films, but of course this is not enough to give a full-fledged summary of the field as a whole.
Keep this in my mind as I do my best to traverse this category half-blind.
Update: I saw them…let’s do this.
Continue reading Academy Awards Predictions 2017 – Best Live Action Short Film
Director Chan-wook Park is not afraid to push buttons. He’s not afraid to be different. Not afraid to indulge.
The Handmaiden may be Chan-wook Park’s most button-pushing, different, indulgent film to date.
In 1930s Korea, a woman named Sook-hee (Tae-ri Kim) is hired to be the handmaiden of a wealthy Japanese heiress Lady Hideko (Min-hee Kim). But nothing is what meets the eye. Nothing. Sook-hee is Continue reading The Handmaiden (2016) Movie Review
Sunday 29, 2017 will mark the 23rd annual Screen Actors Guild (SAG) awards. The ceremony is one of the many guild precursors to the Academy Awards. Many film pundits look at the SAGs to determine which actors and actresses will likely win the Oscars in the acting categories. The award show also features the closest thing to an Oscar for Best Acting Ensemble.
Speaking of this, Outstanding Performance by a Cast in a Motion Picture is the biggest award of the night at the SAGs, the closest thing the guild has to Continue reading The Screen Actors Guild Awards: What to Expect
After watching the nearly eight hour ESPN documentary O.J.: Made in America, I decided not to give it a review. Perhaps it was due to the shear exhaustion. Now that the Oscar nominations are out and O.J. is in there, I feel this analysis can act as a de facto review.
It may seem jarring that a television documentary miniseries is being considered for Best Documentary Feature at the Academy Awards. The series qualified for these awards season film categories by having Continue reading Why O.J.: Made in America Will Win the Oscar for Best Documentary
Nine films received honors at the 2017 Academy Awards for Best Picture. That means the Academy deems these films to be the best of the year. Hands down. Are they right about this distinction? An argument can be made to the opposite. But that is a conversation for a different day.
For now, let’s look at what they did pick as the best of 2016. More importantly, let’s rank the nine from worst to best. Continue reading Ranking the Academy Awards Best Picture Nominees
At the age of three, Owen Suskind “disappears.” He changes: awake all night, speaking in gibberish, a loss of motor function, an inability to understand what people are saying. Diagnosed with autism, Owen’s life changes forever.
But a love for animated movies, particularly those of the Disney Corporation, allows Owen an outlet from which he can Continue reading Life, Animated (2016) Movie Review
