We continue our 2020 Academy Awards prediction series by turning to screenplay.
Original Screenplay – The Nominees:
Continue reading 2020 Oscar Predictions — Best Original Screenplay and Best Adapted Screenplay
We continue our 2020 Academy Awards prediction series by turning to screenplay.
Continue reading 2020 Oscar Predictions — Best Original Screenplay and Best Adapted Screenplay
The Oscar acting categories can be predictable. Come this evening, following the Screen Actors Guild awards, the 2020 acting races may very likely be even more predictable. And Best Supporting Actress is no exception. The category has its frontrunner, and a SAG win for her will all but seal the race up.
Continue reading 2020 Oscar Predictions — Best Supporting Actress
As we head into the Screen Actors Guild awards, which will help clarify the frontrunners in the four Oscar acting races, perhaps it is a good time to look at the Academy’s nominees and their current place in the Best Supporting Actor race.
Of all the acting categories, Supporting Actor is, I think, the one without a clear frontrunner. In the other three categories, it is a matter of one nominee poised to win, where any other winner would be viewed as an upset. In this category, there are three actors in this category who could win this award.
Continue reading 2020 Oscar Predictions — Best Supporting Actor
Often times, the acting races at the Academy Awards are fairly cut and dry. By the time we get to the Oscar ceremony, it is usually pretty clear which actor is the frontrunner. A lot of this certainty lies in the Screen Actors Guild awards, whose winners often go on to win the Oscar. This is because the acting branch of the Academy is the largest, and the overlap between those voters and the SAG voters is enough to see a general pattern of voting.
This is not to say that upsets are impossible. An upset happened as recent as last year in this very category. So let’s look at who could possibly unseat the frontrunner this year.
It is rare to see two different actors win an Oscar for playing the same role. I can only think of one—Marlon Brando and Robert De Niro as Vito Corleone in The Godfather and The Godfather II. John Wayne and Jeff Bridges were both nominated for playing Rooster Cogburn in two different True Grit adaptations, but only Wayne won.
This year, we could very well see a repeat character in Joker, which is somewhat surprising given the blockbuster films Joaquin Phoenix and Heath Ledger were a part of are not the usual suspects for the Academy Awards.
Twitter was ablaze the morning the Oscar nominations were announced. Joker received 11 (count ’em, 11!) nominations? No The Farewell? No Uncut Gems? No J-Lo? No Greta Gerwig for Best Director? No this. No that. Why this, but not that? There was room for X, but they choose Y? Blah-blah-blah.
The grumblings from Film Twitter is not without their merit. The Academy is known for its massive oversights year after year, and this has become particularly evident in the past few years. But there is a futile exhaustion to the Film Twitter banter, which is equal parts righteous, ironic, furious, annoyed, and contrarian. The reality is that the Academy is a somewhat arbitrary selection of industry insiders choosing what is culturally relevant. It has its limited import, but it is not worth getting up in arms about.
After intense debating on the /Filmcast, it was decided that Avengers: Endgame is to be included in the annual Summer Movie Wager, a game of box office predictions, in spite of Endgame not technically being released within the Summer movie season (which is arbitrarily defined on Box Office Mojo as the first weekend of May through Labor Day weekend).
That said, the number one spot in the competition is all-but sealed up. Endgame is set to, at the very least, match Infinity War in sales. So barring some failure in storytelling that tanks the word of mouth on the film, it will take the top line.
For those unfamiliar with the Summer Movie Wager, it is a competition in which players pick the top 10 highest grossing films of the Summer season, plus three “dark horse” predictions. Here are the official scoring rules, as per the /Filmcast: Continue reading 2019 Summer Movie Wager – Box Office Predictions
In January, I made my Academy Awards predictions for 2019. Since then, a lot has changed. Some of my original predictions should be considered null and void. That said, the following predictions are by no means expert predictions. And most importantly, the Academy Awards are not the end-all be-all of filmmaking achievement in a given year. There are plenty of films that the Academy chose not to honor that are deserving of some attention.
In any case, here are my final predictions for the 2019 Oscars.
Legend
Will Win: My pick to win
Upset Watch: A potential spoiler
Could Win: The race is too close to call it an upset, or I am picking against the favorite
Should Win: My personal favorite(s) out of the nominees
Continue reading 2019 Academy Awards Predictions – Final Ballot
Below are links to articles predicting the winners in all 24 Oscar categories at the 2019 Academy Awards.
I don’t think there is an awful lot to say about the 2019 races for Best Original Song and Best Original Score. One is barely a race, and the other has a standout front-runner with only minor competition.
This isn’t to say that the two categories are complete locks, but they are both pretty darn close.
Continue reading 2019 Oscar Predictions – Best Original Song and Best Original Score