Category Archives: Indie Films

Deathgasm (2015) Movie Review

Brodie (Milo Cawthorne) moves in with his extended family after his mother is arrested. He is a metal-head burnout in the eyes of those around him, and his devil may care attitude lands him in with another local anarchistic youth Zakk (James Blake). They form a literal blood-pact, make some napalm, and start a band. Oh, and they also summon a demon. Because, you know, movies.

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Deathgasm strives to have the same devil may care tone as Brodie and company. It’s quick to Continue reading Deathgasm (2015) Movie Review

Hunt for the Wilderpeople (2016) Movie Review

Young ne’er-do-well Ricky (Julian Dennison) is sent to live with foster parents on a farm in the woods of New Zealand. When the foster mother (Rima Te Wiata) dies (at the end of a brief but wonderful performance), Ricky and his gruff foster father (Sam Neill) must learn to get along, particularly when they are hunted by social services and the police due to a massive miscommunication.

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Taika Waititi’s directing has a comic energy to it; the story a child-like charm. Waititi’s cameo itself is arguably the Continue reading Hunt for the Wilderpeople (2016) Movie Review

Swiss Army Man (2016) Movie Review

Swiss Army Man begins with Hank (Paul Dano) about to hang himself, a corpse washing upon shore, and lots and lots of farting. The movie is, in short, a story of friendship between a stranded man and a corpse. This corpse, named Manny (Daniel Radcliffe), has special bodily abilities that have the capacity to help Hank find civilization again.

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The film initially holds a tone, and some early shots, that are reminiscent of Wes Anderson’s more subdued works. It is quirky, endearing, and strangely blunt. However, as the film progresses it becomes apparent that this is a film with an authorial stamp of its own.

Radcliffe is fascinating as the deadpan human tool. Manny’s lack of worldview makes up much of what Continue reading Swiss Army Man (2016) Movie Review

Clown (2016) Movie Review

Clown, “presented” by notable horror director Eli Roth and written-directed by Cop Car and future Spider-Man: Homecoming director Jon Watts, has gotten a U.S. VOD and limited theatrical release after two years. The film was made and premiered prior to Watt’s last year’s critical darling Cop Car, and it is a psychological horror film involving everyone’s favorite terrorizing force: Clowns.

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When the hired clown cancels last minute, Jack’s (Christian Distefano) birthday party is in jeopardy. Luckily, good ol’ dad Kent (Andy Powers) swoops in to save the day, Continue reading Clown (2016) Movie Review

Land and Shade (La Tierra y la Sombra) (2015) Movie Review

Alfonso (Haimer Leal) travels to his old home, where he meets the family he abandoned: his wife (Hilda Ruiz), his ailing son (Edison Raigosa), the son’s wife (Marleyda Soto), and his grandson (Jose Felipe Cardenas).

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The first few shots of the film are Continue reading Land and Shade (La Tierra y la Sombra) (2015) Movie Review

An In-Depth Analysis of Sunspring (2016), The Short Film Written By A Computer

Note: Spoilers for Sunspring are in this in-depth review. The video is embedded below if you want to watch before you read.

 

In Sunspring, director Oscar Sharp engages in a cinematic experiment. The goal: to create an award-worthy short film using a script written by an artificial intelligence. The result: glorious sci-fi chaos. Feeding the A.I. with dozens of science fiction script .txt files and a series of prompts given for a sci-fi filmmaking competition, the small cast and crew used the resulting script to shoot the short in one day.

“In a future with mass unemployment, young people are forced to sell blood,” Thomas Middleditch’s H begins, upon pulling a book out of a drawer and thumbing through it. “It’s something I could do.”

This is perhaps the most Continue reading An In-Depth Analysis of Sunspring (2016), The Short Film Written By A Computer

The Lobster (2016) Movie Review

In The Lobster, David (Colin Farrell), upon being abandoned by his wife for another man, attends a hotel in which he must fall in love in 45 days or else be turned into an animal of his choosing. The movie is as surreal as the premise sounds, but it is also something beyond the mere surreal, which is an alleyway that can quickly lead to becoming a gimmick.

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Director Yorgos Lanthimos’ usual brand of awkward yet matter-of-fact line readings dominate The Lobster. Characters present so much on their face while still concealing Continue reading The Lobster (2016) Movie Review

Holy Hell (2016) Movie Review

A film studies student such as myself often views for analysis only those documentary films that are radical, experimental, or genre defining. This neglects the more commonplace documentary of speculation, event dissection, or character study.

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Holy Hell, in film studies rhetoric, could be considered a “synthetic documentary” not in that it is fabricated, but in that it, from scene one, incorporates Continue reading Holy Hell (2016) Movie Review

Hush (2016) Movie Review

Sound is a vital part of any horror film. Perhaps the most vital. What happens, then, when you insert a protagonist into a horror-thriller narrative who is deaf. This is exactly the case with Hush, which pits novelist Maddie Young (Kate Siegal), who lives conveniently in the middle of the woods with few people within screaming distance (if she could scream, that is, as she is also mute), against a masked intruder (John Gallagher Jr.).

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This premise, in its early stages of execution, makes for a very Continue reading Hush (2016) Movie Review

The Ones Below (2016) Movie Review

Two couples move in to a quaint duplex and, coincidentally, both are expecting. Kate and Justin (Clemence Poesy and Stephen Campbell Moore) are unassuming and innocently critical. Theresa and Jon (Laura Birn and David Morrissey) are welcoming and intolerably tidy. Their lives initially appear like mirrors with only the slightest light refracted, but the light starts to bend more and more when they sit down for dinner together. And this light can only hope to continue bending away from center as the film progresses.

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The first act, culminating in this dinner scene, is structured with precision. The editing may be standard shot-reverse shots, but the compositions are Continue reading The Ones Below (2016) Movie Review