Category Archives: Genres

The Bye Bye Man (2017) Movie Review

I was going to come home from the screening of The Bye Bye Man and write a scathing review. I was going to give it a quadruple F-. I was going to tear the film apart and bury the pieces.

But first I told my roommate about this terrible film. I let him know; I said: “Don’t go see this film called The Bye Bye Man…” As the words of the film’s title left my lips, though, I started hearing things. A coin dropping to the floor. Scratching on wood. The sound of my girlfriend having sex with my best friend.

I was going to write an F- review of The Bye Bye Man but…don’t pay money, don’t see it. Don’t Pay Money, Don’t See It. DON’T PAY MONEY, DON’T SEE IT!!

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In 1969, a reporter (Leigh Whannell) goes on a murdering spree over a name that people in his neighborhood keep spreading around. “Don’t say it, don’t think it,” he mutters to himself as he paces around his suburban street with a shotgun, stalking people down and shooting them after they comically run away at half speed.

Flash forward to present day, three personality-devoid college students rent a seemingly mansion-sized house.  The trio include a couple comprised of Sasha (Cressida Bonas), a character whose only character trait is that Continue reading The Bye Bye Man (2017) Movie Review

Hidden Figures (2016) Movie Review

There is something cautionary about a film that opens with a scene that outlines a superficial context by having every line of dialogue out of the characters’ mouths point to the obvious mores of the day, to the point where a character has to exclaim what year it is to highlight the already obvious irony of their immediate situation.

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It is this retrograde rose-tinting of history that plagues Hidden Figures. Morality films such as these often fall into this pitfall, where characters are hyper aware of their situation as if they themselves are looking back as we are. The film is designed around Continue reading Hidden Figures (2016) Movie Review

Never Say Never Again (1983) Movie Review

A little over a year ago, I went on a journey through the entirety of the James Bond franchise, reviewing each film in my James Bond Retrospective.

The one film I neglected to review was the unofficial, non-Eon Productions James Bond film from 1983: Never Say Never Again.

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There are a few reasons why I never reviewed this film. First off, I was recruited through my reviews to edit and contribute to a James Bond website via Fansided. With this and reviewing over 20 Bond films in the course of two months, I succumbed to Continue reading Never Say Never Again (1983) Movie Review

Florence Foster Jenkins (2016) Movie Review

In New York, 1944, a wealthy socialite named Florence Foster Jenkins (Meryl Streep) takes a fancy to opera singing. With her husband’s (Hugh Grant) aid, she reunites with an old vocal coach (David Haig) and hires a young pianist (Simon Helberg). To the pianist’s dismay, his first rehearsal with Florence  yields the revelation of her sheer inability to carry a tune.

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This initial rehearsal scene is a Continue reading Florence Foster Jenkins (2016) Movie Review

A Man Called Ove (2016) Movie Review

Ove (Rolf Lassgard) is rigid, resolute, decisive, cynical, cantankerous, embittered, emboldened, unfriendly. But mostly he is a man of simple means who wants things just to his liking. He doesn’t like people driving through his neighborhood, as it is strictly forbidden. He argues over the coupon price of a bouquet of flowers that he leaves for his deceased wife. And, when he loses his job of 43 years to a pair of 20-somethings, he decides to hang himself from his living room ceiling.

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Except, each time he tries, he is interrupted by his new neighbors: a family who means well in spite of pushing all of Ove’s buttons.

The narrative of an elderly man hardened over the grief for Continue reading A Man Called Ove (2016) Movie Review

2017 Academy Awards Nomination Predictions – Best Live Action Short

The short film categories were something I was not going to tackle pre-nomination, as it is impossible for me to see the films this early. However, in the case of the Live Action Short category, I have had the privilege of seeing four of the 10 films that have been shortlisted for nomination.

This by no means makes my predictions definitive. But I will do what I can to shed some light on the elusive subject.

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Best Live Action Short

Continue reading 2017 Academy Awards Nomination Predictions – Best Live Action Short

The Rifle, The Jackal, The Wolf and The Boy (2016) Short Film Review

In a rural forest, the snap of a rifle shot breaks the quaint silence. Two brothers (Fidel Badran and Jad Badran) stand over their unseen prey, taking a beat before they go about covering their tracks so their father does not realize what they have done with his hunting rifle.

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The Rifle, The Jackal, The Wolf and The Boy is the familiar feeling of childhood guilt ratcheted up to grim stakes. The narrative itself is almost absurdly simplistic, and the film chooses to rely instead on Continue reading The Rifle, The Jackal, The Wolf and The Boy (2016) Short Film Review

Timecode (2016) Short Film Review

“Luna (Lali Ayguade) and Diego (Nicolas Ricchini) are the parking lot security guards. Diego does the night shift, and Luna works by day.” This is the IMDb description for Juanjo Gimenez Pena’s short film Timecode. It is terse and unassuming, seemingly mundane. Yet the CCTV cameras in the lot, when set to secret timecodes, tell a different story.

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There is a heartening simplicity to Timecode. Marked by its levity and brevity, the short film follows Luna in her isolating Continue reading Timecode (2016) Short Film Review

Graffiti (2016) Short Film Review

Seven years after an unknown “incident,” one man (Oriol Pia) lives in a world of isolation. Graffiti is quiet in this regard. Indeed, no words are spoken. The most we get out of Pia verbally is him howling in a call-response fashion with his dog.

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Graffiti has a familiar feel to other post-apocalyptic stories, most overtly Continue reading Graffiti (2016) Short Film Review

13th (2016) Movie Review

The 13th Amendment to the Constitution of the United States abolished slavery, effectively guaranteeing every American citizen be free. That is to say, every citizen who is not a criminal.

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Ava DuVernay’s historical documentary makes pertinent use of this word. With every mention of the word out of interviewees’ mouths, the term “CRIMINAL” flashes on the screen. And with each instance, Continue reading 13th (2016) Movie Review