Category Archives: Long Reviews (>400 Words)

I, Tonya (2017) Movie Review

There is one word that describes every facet of the film I, Tonya. Energy. From the acting performances, to the editing, to the camera work, to the dialogue, to the framing device, to the soundtrack there is a constant and consistent energy. There is never a wasted or dull moment. It is a two-hour movie that breezes by.

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Beneath this energy, which is spear-headed by dark comedy, is a surprising amount of empathy that the film drums up around the figure of Tonya Harding (portrayed here by Margot Robbie). The highly publicized story of Harding plays out in the film in a Continue reading I, Tonya (2017) Movie Review

Call Me By Your Name (2017) Movie Review

Luca Guadagnino’s Call Me By Your Name is a film that takes its time yet never wastes a moment. It may seem at first that it is slow to startup, but this humdrum beginning that meanders almost lazily through this formative summer of Elio’s (Timothee Chalamet) is used as a basis from which the film’s central relationship can form. From the point at which this relationship comes to be, the film becomes an intensely emotional and sensual experience.

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Certainly, this lengthy and deliberate film will lose some viewers. The simplicity of the plotting does not help in that regard. But beyond mere plot is a film that captures Continue reading Call Me By Your Name (2017) Movie Review

The Shape of Water (2017) Movie Review

Guillermo del Toro, with his latest The Shape of Water, weaves, in effect, a fairy tale monster movie. Imbued with the shadowy lighting and terse patriotism of the Cold War 1950s, in which nationalistic patsies are led by men in trench coats who speak in passwords, the film sets itself in an industrial government building that hides away U.S. military secrets.

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Working in this industrial warehouse, underneath the shadowy government officials and their shills and patsies, is the mute Elisa (Sally Hawkins). With the camaraderie of Zelda (Octavia Spencer), who fills the space where Elisa’s words cannot reach, they clean the facility. This includes cleaning up the blood after a new arrival to the facility causes Continue reading The Shape of Water (2017) Movie Review

Molly’s Game (2017) Movie Review

Aaron Sorkin’s Molly’s Game is based on a true story; a true story told by a potentially unreliable narrator. Molly Bloom (Jessica Chastain), a one-time Olympic contender, is under indictment for running an illegal gambling ring. Technically, she’s guilty (she wrote a book on the subject when she was in need of some money). All the same, the story is much more complicated than guilt versus non-guilt.

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The story is complicated, but the movie makes it much more complicated than it needs to be. Sorkin jams into this 140-minute movie three storylines involving Continue reading Molly’s Game (2017) Movie Review

Darkest Hour (2017) Movie Review

The critical world has been abuzz over Gary Oldman’s Oscar-worthy performance in Darkest Hour. Sporting a physique more, dare I say, jowel-y, Oldman plays British Prime Minister Winston Churchill from his selection to his rallying of Parliament to support war efforts against Germany.

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Clearly, Oldman is at center stage in Darkest Hour. His performance is certainly transfixing; he embodies Churchill with a mix of grumbling brutish, beady-eyed fury, and unexpected compassion. He could win an Oscar for his role, and it would not be undeserved. But Continue reading Darkest Hour (2017) Movie Review

Lost Face (2017) Short Film Review

Lost Face from director Sean Meehan is one of 10 films short-listed for the 2018 Academy Award for Best Live Action Short

Sean Meehan’s Lost Face is a short film adapted from the Jack London short story of the same name. It is the story of a group of fur traders who are captured and tortured by the Native Americans who were enslaved into building their trading post.

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What first we see in Meehan’s film is the visceral stabbing of Continue reading Lost Face (2017) Short Film Review

All the Money in the World (2017) Movie Review

The conversation surrounding Ridley Scott’s All the Money in the World has been louder than actual buzz for the movie has been. With the bold decision by Scott to replace Kevin Spacey but maintain the film’s original release date, re-shooting to put Christopher Plummer in the J.P. Getty role occurred over the course of mere weeks.

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While this turnaround is certainly impressive, and much can be said about this film being saved from studio abandonment, this conversation outside of the text of the film should not determine how one judges the text itself.

What is to be made of All the Money in the World, then? Continue reading All the Money in the World (2017) Movie Review

The Greatest Showman (2017) Movie Review

One benefit a musical is afforded is narrative efficiency. As we see at the beginning of The Greatest Showman, entire backstories and a character’s drives and goals can be distilled into a single song. But narrative efficiency should not replace depth of characterization, storytelling, nor theme.

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The themes at the heart of the songs in The Greatest Showman are not particularly deep or insightful. The power of dreams and acting on them. The power of individuality and being comfortable in one’s own skin. Tolerance of those different than yourself. A general distaste for upper class snobbishness. None of these concepts are Continue reading The Greatest Showman (2017) Movie Review

Bright (2017) Movie Review

So get this: it’s a buddy cop movie starring Will Smith. Yeah, sure, it reminds one of Bad Boys, only Smith’s partner Jakoby (Joel Edgerton) is an Orc. And Smith’s character, Ward, is racist against Orcs like the rest of the police force. In this universe, pretty much everyone is racist against Orcs, and Elves, and Fairies. At one point, Smith swings a broom at a Fairy, trying to kill it, and says: “Fairy lives don’t matter today.”

So, you know, the film’s subtle.

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Ward and Jakoby find themselves in the middle of a war between the police, various gangs, and some assassin Elves. It is a war over a misplaced wand, which, based on what people are willing to do for it, seems to have an equivalent power to Continue reading Bright (2017) Movie Review

Downsizing (2017) Movie Review

Alexander Payne’s latest is a sci-fi comic drama about a man named Paul Safranek (Matt Damon) who decides to engage in the biggest scientific innovation since the Apollo space program: Downsizing.

Downsizing, or “going small,” is the process of shrinking one’s body down to five inches and moving to one of many small communities, a “magical” place where everything is cheaper because the quantity the consumer requires is smaller (although, economy isn’t all about quantity…if there’s a demand for small diamonds, wouldn’t the price of small diamonds go up regardless? But I digress).

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Downsizing has a sprawling plot. For a film about shrinking a person and putting them under a glass dome, there is a lot of movement. Too much, to be frank. The first act of the film is firmly planted in Continue reading Downsizing (2017) Movie Review