Category Archives: Long Reviews (>400 Words)

The Fast and the Furious: Tokyo Drift (2006) Movie Review

In anticipation of April’s release of The Fate of the Furious, the eighth installment in the The Fast and the Furious franchise, CineFiles is taking a retrospective look back on all of the series’ films. In this edition, we look at the third entry into the series (but the sixth film chronologically?), The Fast and the Furious: Tokyo Drift.

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The Fast and the Furious: Tokyo Drift is widely considered the black sheep of the now incredibly successful Fast & Furious franchise. This is due mainly to the film’s tangential narrative from what has essentially become a testosterone-infused soap opera.

But let’s not judge a book by its preconceived notions.

Tokyo Drift opens on a car race over the ownership of a woman. So…it’s not looking good so far. Unlike the previous two Fast & Furious films, however, this opening race Continue reading The Fast and the Furious: Tokyo Drift (2006) Movie Review

Lights Out (2016) Movie Review

At CineFiles, we like to stay current. We try our very best to see the big new releases right as they come out, so that we can get reviews out to you lovely readers in a timely manner. This task is not always easy, especially given that our choice of pronoun can be deceiving in terms of number agreement.

So, yeah, we didn’t see Lights Out last Summer. What’s it to you?

All joking aside, Lights Out is the number one genre movie that I regret not seeing last year. As such, I’m back almost a year later to pick up the slack. I watched Lights Out (thanks, Cinemax), so let’s talk about it.

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Lights Out is the feature length film from David F. Sandberg adapted from the short film by David F. Sandberg. The short film is an intriguing game of Continue reading Lights Out (2016) Movie Review

Aliens (1986) Movie Review

In anticipation of the release of Ridley Scott’s Alien: Covenant, CineFiles is looking back on the Alien franchise as a whole. Today, we look at James Cameron’s sequel film Aliens, a film that takes the formula of the 1979 original film and spins it in a new direction.

 

57 years after the events of Ridley Scott’s Alien, Ellen Ripley (Sigourney Weaver) wakes up from stasis. The only survivor of the Nostromo incident, Ripley accompanies a crew of military to LV-426, the planet where the Nostromo first encountered the eponymous creature.

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Like the 1979 original, Aliens begins with characterization by way of politics. The heads of the mission, both military and civilian, sit at a different table at the mess hall while the army grunts act amateurish nearby. The characters adhere more to Continue reading Aliens (1986) Movie Review

Kong: Skull Island (2017) Movie Review

Big Ape. Island. 1970s Vietnam backdrop. Movie. Synopsis over.

Kong: Skull Island is a Vietnam era period piece, something that acts as an important backdrop in the film. The stereotypes of U.S. in 1970s wartime dictate exposition and characterization.

The setup of Kong is messy in its expediency. A constant underscore of period relevant soundtrack keep conversations short and lacking in anything more than political platitudes.

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Characters, as a result of this expediency and poor scripting, are Continue reading Kong: Skull Island (2017) Movie Review

The Fast and the Furious (2001) Movie Review

As a precursor to the April 14 release of The Fate of the Furious, the eighth film in the Fast & Furious franchise, CineFiles is taking a look back at the 16 years of Fast films, starting here with 2001’s The Fast and the Furious.

 

What can be said about a film centering around underground drag racing, in which characters risk their lives for the respect of the win? Hopefully a lot given that film spawned a billion dollar franchise.

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The Fast and the Furious, as a franchise, has developed into an enigmatic phenomenon of action schlock. But in 2001, The Fast and the Furious the film was merely a Continue reading The Fast and the Furious (2001) Movie Review

Alien (1979) Movie Review

In preparation for the May 19 release of Ridley Scott’s Alien: Covenant, CineFiles is taking a retrospective look at all of the Alien films. To begin, we look at the 1979 original, Alien. The film is largely heralded as a classic, and for good reason. Let’s get into it.

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Ridley Scott’s Alien is, perhaps, the perfect horror movie. The best? Now that is up for debate. But it is inarguably Continue reading Alien (1979) Movie Review

Logan (2017) Movie Review

The first thing one will notice about Logan, after a prologue/advert that you will not see coming, is that this is not Bryan Singer’s X-Men. Logan is the ninth film in the X-Men franchise and the third standalone Wolverine film. And it is a grizzled, grisly action tragedy. Not what one would expect from this comic book franchise.

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An opening action sequence promises brutality not seen in comic book cinema to date, and it Continue reading Logan (2017) Movie Review

A Cure for Wellness (2017) Movie Review

The first note I wrote down about A Cure for Wellness, which I wrote after the film’s opening scene, was as follows:

“Is A Cure For Wellness a masterfully shot slog?”

This notion came out of how the trailer clips and first scene of the film is shot and that I knew how long the film was going to be (this was, I should mention, my second film of the day). So my assumption going in was that this film was going to be a struggle between patience and style.

Is the film a well-shot slog? Well…yeah.

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Rising white collar man (Dane DeHaan), referred to throughout the film only by his surname of Lockhart, takes hold of that next rung of the corporate ladder, and as a result is thrown into a legally questionable Continue reading A Cure for Wellness (2017) Movie Review

Fifty Shades Darker (2017) Movie Review

Let me get the positives of Fifty Shades Darker out of the way so we can start making jokes. 1) Star lighting showcases our “steamy” talent quite adequately. 2) As with its predecessor, the production design is well-conceived. 3) Academy Award-winner Kim Basinger appears, and should be in a better movie than this.

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BDSM is still viewed in this film as a Continue reading Fifty Shades Darker (2017) Movie Review

Dark Night (2017) Movie Review

The opening shot of Tim Sutton’s Dark Night, coming after almost a minute of music playing over a black screen, is a beautiful yet unceremoniously conventional shot. It is the reflexive kino eye shot, showing the awareness of artifice and mediation within a filmic representation.

Gorgeous red and blue neon washes over the eye of an onlooker. We can see the approaching police car in her pupil. It is tragedy in a snapshot; fundamentally artistic even if the eyeball shot has appeared everywhere from Un Chien Andalou to LOST.

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Dark Night chronicles the lives of those affected by the 2012 Aurora shooting that took place in a Colorado screening of the film The Dark Knight Rises. The film is proposed as a Continue reading Dark Night (2017) Movie Review