Race is the biopic of Olympic athlete Jesse Owens. The film follows Owens (Stephan James) as he tackles adversity in 1930s America and Germany. It also explores the relationship between Owens and his down-and-out coach Larry Snyder (Jason Sudeikis).
What it boils down to is that this film is a Continue reading Race (2016) Movie Review
The Witch follows the trials of a 17th century New England family banished from society to a home on the outskirts of a threatening woods. They struggle to survive: the crops die, the hunting traps bear no food, the chicken’s eggs bear stillborn chicks. But what is to blame for the family’s misfortune? For the Puritanical family, their misfortune becomes a hysteria over religious heathenism.
The film is marked by quiet. At the film’s outset, we get a flurry of Continue reading The Witch (2016) Movie Review
Sequels can be many things. They can be good…sometimes. Or they can be superficial rehashes. Or they can be pure nostalgia pieces. Or they can be re-imaginings with topical insertions to try and bring an old property into the present day, where these insertions take the place of original comedy.
Zoolander 2 falls mostly into the latter category. Justin Beiber, Uber, and Susan Boyle are featured in early gags, in moments meant to hook the viewer in. These “topical” moments (Susan Boyle = topical?) feel Continue reading Zoolander 2 (2016) Movie Review
From minute one of Deadpool, it is clear that we are dealing with a wholly unique film. If you didn’t know what you were getting into with this film, the opening credits sequence explains it for your rather efficiently.
Given a film that never Continue reading Deadpool (2016) Movie Review
In Hail Caesar!, the latest from the Coen Brothers, Baird Whitlock (George Clooney) is an actor during the Golden Age of Hollywood. He is introduced on-screen in a meta framing—a screening within a screening—portraying a Roman leader in a historical epic a la Spartacus. During filming of this movie, Whitlock is drugged and kidnapped.
Hail Caesar! is the Coen Brothers’ love letter to classical Hollywood cinema. The standard genres of the period are represented: Westerns, historical epics, Broadway musical adaptations, bourgeois romance, etc.
The structural issue of this love letter is that Continue reading Hail Caesar! (2016) Movie Review
Jafar Panahi’s Taxi begins on an extended POV take of a taxi picking up passengers in Tehran. These passengers engage in a long debate over the ethics of execution as a deterrent of crime. It is a strangely humorous meditation in the poetic form of bickering.
Taxi is a series of vignettes told exclusively from Continue reading Taxi (2015) Movie Review
Over, the short film from director Jorn Threlfall, begins quietly. We get static long shots of a suburban street. At 11:45 pm. Then at 7:30 pm. The first two minutes are silence, save for ambient noise, as we see a couple park their car and cross the street, where they see a letter and a bouquet of flowers near the median. They speculate that someone has died there.
The story soon becomes clear. In reverse chronological order, we get to see Continue reading Over (2015) Short Film Review
The five nominated short films in the animated category are diverse in animation style and narrative content, but they all have clear ups and downs. Below are my mini reviews for these five mini movies.
Sanjay’s Super Team, from Pixar, opens on a dichotomy of old and young ideals in an Indian household.
The animation sports the usual Continue reading 2016 Academy Award Nominated Animated Short Films Review
Anomalisa begins on chatter over a black screen. This chatter is clearly multiple people, but the voices are distinctly similar to each other. This fades in on a lush cloudscape with an airplane emerging out of the grey. Inside the plane is Michael Stone (David Thewlis), a man famous for writing a book about good customer service.
Michael lives in a world of isolation. On a trip to give a self-help speech, he is completely Continue reading Anomalisa (2015) Movie Review
World of Tomorrow, the Oscar-nominated short film from Don Hertzfeldt, follows the journey of a young girl Emily (Winona Mae) as she is shown through the memories of the future by her clone (Julia Pott).
The short is a densely-packed 15 minutes that meanders through complexities of time travel, artificial sentience, and love. The simplicity of the Continue reading World of Tomorrow (2015) Short Film Review
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