Category Archives: Long Reviews (>400 Words)

Action/Thriller, All Movie Reviews, Comedy, Like It, Long Reviews (>400 Words)

Kingsman: The Golden Circle (2017) Movie Review

Kingsman: The Golden Circle is, like its predecessor Kingsman: The Secret Service, a violence-obsessed take on the James Bond formula. In the same Bond vein, the plot revolves around a megalomaniac’s scheme to decimate the world population and the spies who follow the convoluted path to stop the evil plan in time.

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The evil plan involves the chipper and sociopathic leader of a drug cartel (Julianne Moore) whose latest batch of drugs infects its users with Continue reading Kingsman: The Golden Circle (2017) Movie Review →

All Movie Reviews, Drama, Horror, Long Reviews (>400 Words)

Salo or the 120 Days of Sodom (1975) Movie Review

“The bourgeoisie has never hesitated to kill its children”

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As drenched in infamy as it is, Pier Paolo Pasolini’s final film Salo remains a dedicated feature of film criticism, with articles written to this day about the film’s place in the canon of cinema.

Quite possibly the most debauched film in history, Salo, or the 120 Days of Sodom, is a narrative of Continue reading Salo or the 120 Days of Sodom (1975) Movie Review →

All Movie Reviews, Drama, Long Reviews (>400 Words), Love It

First They Killed My Father (2017) Movie Review

First They Killed My Father opens in the most blatant, contrived way possible: with a montage of political heads that include Richard Nixon discussing broken foreign relations while the Rolling Stone’s “Sympathy for the Devil” plays over the top.

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What this montage does is set the period and the atmosphere. It is 1975; we are in Cambodia at the onset of the Khmer Rouge. The anti-Western mindset used as a means of oppression, director Angelina Jolie nevertheless reminds us that Continue reading First They Killed My Father (2017) Movie Review →

Action/Thriller, All Movie Reviews, Drama, Leave it, Long Reviews (>400 Words)

American Assassin (2017) Movie Review

American Assassin opens on Mitch Rapp (Dylan O’Brien), our handsome action hero, proposing to his girlfriend (Charlotte Vega) on a beach in Spain. Because we need Rapp to become a grizzled action hero with a chip on his shoulder, decked out in a scraggly beard so that we know he’s in grief, his girlfriend has to die in a random act of violence.

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Enter the CIA in the form of the dueling ideologies of Irene Kennedy (Sanaa Lathan) and Stan Hurley (Michael Keaton). They recruit Rapp in an elite anti-terrorism unit, a unit so cutthroat that it Continue reading American Assassin (2017) Movie Review →

All Movie Reviews, Horror, Like It, Long Reviews (>400 Words)

Frontier(s) (2008) Movie Review

This review of Xavier Gens’ Frontier(s) is part of the New French Extremity Retrospective series.

Xavier Gens’ Frontier(s) begins similarly to Mathieu Kassovitz’ 1995 drama La Haine. Both begin by mixing real and documentary footage of riots in the streets of France. In both cases they are riots over an intense distrust of the government. For Frontier(s) it is a distrust over a newly elected right-wing government.

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In a way, it feels like Gens is trying to pick up where Kassovitz left off, beginning with an Continue reading Frontier(s) (2008) Movie Review →

All Movie Reviews, Drama, Horror, Leave it, Long Reviews (>400 Words)

Mother! (2017) Movie Review

In the New York Post review of Darren Aronofsky’s new feature film Mother!, critic Sara Stewart calls the film “a Rorschach test of a movie to interpret however you like.” Not only is this statement accurate, but it is the fatal flaw that sinks this unwieldy monster of a film.

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There is so much to unpack with Mother! that it becomes not a question of “what?” but a question of Continue reading Mother! (2017) Movie Review →

All Movie Reviews, Drama, Leave it, Long Reviews (>400 Words)

Kodachrome (2017) Movie Review (TIFF 2017)

In Kodachrome, Matt Ryder (Jason Sudeikis) is an arrogant, childish talent agent for musicians. When he loses one of his premiere acts, he finds himself on the verge of losing his job. Lying his way through a conversation with his boss, he buys himself a week to book a major up-and-coming act.

He can get a meeting with this act in Chicago, but only if he accompanies his dying, irate, and estranged father Ben (Ed Harris) to Continue reading Kodachrome (2017) Movie Review (TIFF 2017) →

All Movie Reviews, Comedy, Documentary, Leave it, Long Reviews (>400 Words)

Super Size Me 2: Holy Chicken (2017) Movie Review (TIFF 2017)

At the world premiere of Morgan Spurlock’s latest documentary—a sequel to Super Size Me, the film that put him on the map—Spurlock dialed the PR knob to 11 by providing the audience with a free meal from his new restaurant venture “Holy Chicken.”

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The food truck outside of the venue served fried chicken sandwiches that looked somewhat grotesque and felt slimy to the touch. There were side choices that included fried green beans, which the charming young woman behind the counter referred to affectionately as simply “greens.” They offered soda and water (the water was dubbed “Holy Water,” perhaps because it was the closest thing to a healthy option on the menu).

Why would the man who injured his body by eating McDonald’s for 30 days straight decide to open a fast food chain? Could it be a statement on Continue reading Super Size Me 2: Holy Chicken (2017) Movie Review (TIFF 2017) →

All Movie Reviews, Horror, Like It, Long Reviews (>400 Words)

It (2017) Movie Review

The term beloved may be an understatement when it comes to Stephen King’s It. The iconic image of Pennywise is a staple of the horror genre, mostly due to Tim Curry’s performance of the character in the 1990 TV movie version of King’s tome of a novel.

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Andy Muschietti, director of the tepid Mama, returns to the horror genre with the 2017 adaptation of It. The film replaces Curry with Swedish actor Bill Skarsgard, whose delightful campy performance rivals Curry’s adequately.

Without needless comparison—such a rabbit hole would siphon any light out of a critical interpretation—Muschietti’s It is a genre film that largely works through convention while trying to Continue reading It (2017) Movie Review →

All Movie Reviews, Drama, Long Reviews (>400 Words)

Oedipus Rex (1967) Movie Review

We first see Jocasta (Silvana Mangano) giving birth to Oedipus, from afar as if we are voyeur’s looking in on a sex act (a fitting introduction given the Freudian psychological product of Sophocles’ Oedipus Rex). Next, we see her in a pleasing closeup. As her baby nurses from her, her smiling face recedes into a blank look that borders on concern, before her delight returns. Only, this delight seems lessened. Her face looks as though she has seen something, an omen of some kind.

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Of course, the dramatic irony inherent in this opening is intentional. Director Pier Paolo Pasolini imbues the tonal undercurrent of the film with Continue reading Oedipus Rex (1967) Movie Review →