During Ed and Lorraine Warren’s (Patrick Wilson and Vera Farmiga) investigation of the Amityville horror, Lorraine Warren encounters hell incarnate during a seance in an opening sequence to The Conjuring 2 that is orchestrated with neo-horror precision, combining old school tropes and new era scare tactics.
After amassing a popular following through the Amityville case, the Warrens are requested in Enfield, where they encounter Continue reading The Conjuring 2 (2016) Movie Review
There has been a war between Orcs and Humans as long as anyone can remember. Thus is the world of Warcraft (pun. apologies.). We follow an Orc warrior in tow with his warring clan as well as his wife and child to be. We also follow a band of humans who are combating the oncoming onslaught of Orcs using the magical guidance of the Guardian (Ben Foster). There is also a Halfling (Paula Patton) (which is to say, half Orc, half human) who is caught in the middle of these warring races.
The film throws you into a narrative already in motion, in medias res as is the fantasy genre standard. The problem with this in this particular instance is Continue reading Warcraft (2016) Movie Review
In The Lobster, David (Colin Farrell), upon being abandoned by his wife for another man, attends a hotel in which he must fall in love in 45 days or else be turned into an animal of his choosing. The movie is as surreal as the premise sounds, but it is also something beyond the mere surreal, which is an alleyway that can quickly lead to becoming a gimmick.
Director Yorgos Lanthimos’ usual brand of awkward yet matter-of-fact line readings dominate The Lobster. Characters present so much on their face while still concealing Continue reading The Lobster (2016) Movie Review
The “Style Boyz” are a juvenile hip-hop crew comprised of Lawrence (Akiva Schaffer), Owen (Jorma Taccone), and Conner (Andy Samberg). After power trips get the best of them, Conner transforms his brand into Conner4Real, becoming a one-time star in the process, Lawrence gets fed up with the power feud and retires to a small farm and a scraggly beard, and Owen gets relegated to the literal background role as Conner’s DJ.
The opening credit song pretty much tells the whole story: Conner is “So Humble” in the sense that he has no idea what the word means. This threatens to ruin his career and all of his relationships, and the plot plays out accordingly from there.
Popstar plays as a mockumentary, but one can’t go in with the godfather of music mockumentary, This is Spinal Tap, in mind, as the two films couldn’t Continue reading Popstar: Never Stop Never Stopping (2016) Movie Review
In Ancient Egypt, a god is buried. But it is not a god, it is a mutant. Apocalypse (Oscar Isaac). Apocalypse can unlock the true potential in any other mutant, and then use those powers for his own design. That, and he can turn people to dust. After his resurfacing in the 1980s, mutants must band together and reform the X-Men in order to take down Apocalypse and his Four Horsemen.
The first act of the film sets up strong characters and their motivations. We get to see a young Scott Summers (Tye Sheridan) as a teen growing up with uncontrolled powers. Magneto (Michael Fassbender) gets a strong emotional arc to once again Continue reading X-Men: Apocalypse (2016) Movie Review
In 19th century London, Alice Kingsleigh (Mia Wasikowska) is whisked back into Wonderland. Again. Because, you know, money.
Alice Through the Looking Glass loses much of the charm that could be found in 2010’s Alice in Wonderland, although that film had problems of its own. This sequel is hampered by many elements that were not handled with enough care.
The narrative as a whole is problematic in that it shares very little resemblance to the source material that bears the same name. This aside, the plot simply carries little weight throughout the length of the film. Not to mention that Continue reading Alice Through the Looking Glass (2016) Movie Review
A film studies student such as myself often views for analysis only those documentary films that are radical, experimental, or genre defining. This neglects the more commonplace documentary of speculation, event dissection, or character study.
Holy Hell, in film studies rhetoric, could be considered a “synthetic documentary” not in that it is fabricated, but in that it, from scene one, incorporates Continue reading Holy Hell (2016) Movie Review
Sound is a vital part of any horror film. Perhaps the most vital. What happens, then, when you insert a protagonist into a horror-thriller narrative who is deaf. This is exactly the case with Hush, which pits novelist Maddie Young (Kate Siegal), who lives conveniently in the middle of the woods with few people within screaming distance (if she could scream, that is, as she is also mute), against a masked intruder (John Gallagher Jr.).
This premise, in its early stages of execution, makes for a very Continue reading Hush (2016) Movie Review
The opening shots of Entertainment are largely static. The Comedian (Gregg Turkington, essentially playing in this film a fictionalized version of himself and his comedic alter-ego Neil Hamburger), stands in an airplane fuselage, looking down. He watches as a clown, Eddie the Opener (Tye Sheridan), prepares for a set at a prison. He looks on dour-faced as the clown “wows” the crowd of prisoners by simply bouncing a ball and clapping his hands.
The first spoken dialogue in the film comes from a tour operator who encourages The Comedian and others to “by all means, go ahead and wander.” Yet the film does the opposite. Continue reading Entertainment (2015) Movie Review
Rick Alverson’s The Comedy is not a comedy. It is an anti-comedy. A satire of a self-destructive generation gazing on their own broken world. The film opens on a group of people, mostly slightly overweight men, drinking and dancing, spitting beer and stripping nude. This is a commonplace setting for this group of “friends.”
The film stars Tim Heidecker of Tim and Eric fame. Comedy partner Eric Wareheim co-stars, and their presence in the film in one instance is Continue reading The Comedy (2012) Movie Review
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