On the eve of World War II, Laura (Carey Mulligan) is courted by engineer Henry McAllan (Jason Clarke) in the Mississippi Delta. Although Laura is more charmed by Henry’s brother Jamie (Garrett Hedlund), she marries Henry and they raise two children. Henry buys a farm (more precisely, he’s swindled and the family is relegated to a meager shack that is characterized most readily by the puddles of mud in the yard that never dry up). This farm employs the Jackson family, led by pensive Florence (Mary J. Blige) and Hap (Rob Morgan) Jackson.
When America is drawn into the war effort—Roosevelt’s infamy speech marks the act break—Ronsel Jackson (Jason Mitchell) and Jamie are called on to serve. When they return to the states, inevitably changed, they face Continue reading Mudbound (2017) Movie Review→
There is a moment at the very start of Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligatory Mention of Tony Clifton where you expect this to be a pretentious showbiz doc, where Jim Carrey stares at the camera and tries to convince us in one line that the soul of Andy Kaufman embodied him when he got the job as Kaufman for the Milos Forman film Man on the Moon.
The headline way to start this review is to say something along the lines of “Justice League is a garbled mess of a film with no notion of subtlety.” It wouldn’t be a false statement.
There is a moment early on in Daddy’s Home 2 where Will Ferrell’s character walks into the house after he and his “co-dad” Dusty (Mark Wahlberg) pick up their fathers (John Lithgow and Mel Gibson) at the airport and exclaims: “We’re back…with more daddies.”
In Murder on the Orient Express, Kenneth Branagh directs Kenneth Branagh as Agatha Christie’s famous detective Hercule Poirot. The film informs us of his reputation by opening with Poirot solving a crime in front of an abundant crowd, as if he is the main attraction at a circus. In case this was not enough—and because the script felt the need to address its own ludicrous facial hair creation—Daisy Ridley’s Mary Debenham recites her first line in the film thusly:
If you ever wanted to hear Lyndon Johnson (portrayed here by Woody Harrelson) discuss the hang of his testes, Rob Reiner’s LBJ is the film for you. The subject comes up twice, showing up again near the end as if it is a brilliant comedic callback meant to elicit hoots and hollers.
Rare are the films in which the atmosphere is disquieting from beginning to end. People will tell you that The Killing of a Sacred Deer isn’t a horror film. But there is no closer word to describe it. It is a film that is horrifying without an abundance of horror tropes. It is unsettling to a fault. It is the most unsettling film of 2017, perhaps.
Thor: Ragnarok is a messy film. It’s main villain Hela (played with scenery-chewing glee by Cate Blanchett) is side-lined for most of the film. As is Asgard, the place that is in mortal danger from the Goddess of Death that is Thor’s (Chris Hemsworth) sister.
Do not be fooled. This is the main conflict of the film’s plot. Although, for the most part, Thor and pals are relegated to another world entirely.
There is a moment in Suburbicon when you realize that the closest comparison to other Coen brother films is Blood Simple, in that it is bleak with few characters to latch onto and identify with. It is at this moment, when you realize that this is not so much a dark comedy as it is merely a dark movie, that it becomes very hard to continue investing yourself in the antics.
The film focuses on a family man named Gardner Lodge (Matt Damon) and his son, who are victim to a home invasion in the faux-idyllic, nebulous ’50s neighborhood aptly-named Suburbicon. You don’t know Continue reading Suburbicon (2017) Movie Review→
Where to begin with Jigsaw, the sort of sequel, maybe soft reboot of the Saw franchise that comes seven years after the last Saw film and narratively taking place 10 years after John Kramer’s death?
How about start with the first thing we hear. It is a revamp of Charlie Clouser’s Saw theme song: “Hello Zepp.” The song, here in Jigsaw, sounds less Continue reading Jigsaw (2017) Movie Review→
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